106 Plages de démonstration...

1.1. Fireworks
1.2. Hora De La Granicesti (Rumanian Trad.) - Paul Stinga And His Orchestra
1.3. Dear Old Dixie (American Trad.) - Jazz Grass Ensemble
1.4. Jeux Interdits (Anon.) - Arnaud Dumond
1.5. 2nd Trumpet Concerto: 3rd Movement - Orchestre Philharmonique Des Pays De Loire/Marc Soustrot/Bernard Soustrot
1.6. 'O Dulcis Amor' - Jacqueline Nicolas/Anne-Marie Lasla/William Christie
1.7. Ballet De Coqs - Musica Antiqua Ensemble
1.8. Bransle Doubble - Musica Antiqua Ensemble
1.9. Concerto 'La Notte' in g Op. X No 2: Excerpts: Index 1: Presto Fantasmi/Index 2: Largo... - Concero Koln Ensemble/Christian Mendoze
1.10. Scheherazade: 4th Movement (Excerpts) - Orchestre Philharmonique Des Pays De Loire/Marc Soustrot
1.11. Almande - Andre Isoir
1.12. 1st Organ Symphony Excerpts: Andante (End) Followed By Finale - Francois-Henri Houbart
1.13. Maximum Cutting Level: 1KHz 0dB Emphasis Off G+D/L+R
1.14. Left/Right Location And Channel Separation: 1KHz 0db Emphasis Off Left
1.15. Left/Right Location And Channel Separation: 1KHz 0db Emphasis Off Right
1.16. Frequency Response: 20Hz/20 KHz, 0db Emphasis Off G+D/L+R
1.17. Frequency Response: 20HZ/20 KHz,-20 db Emphasis Off G+D/L+R
1.18. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 1 KHz, 0db
1.19. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 20HZ, 0db
1.20. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 50Hz, 0db
1.21. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 100Hz, 0db
1.22. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 200Hz, 0db
1.23. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 500Hz, 0db
1.24. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 1 KHz, 0db
1.25. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 2 KHz, 0db
1.26. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 5 KHz, 0db
1.27. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 10 KHz, 0db
1.28. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 12 KHz, 0db
1.29. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 15 KHz, 0db
1.30. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 18 KHz, 0db
1.31. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 20 KHz, 0db
1.32. Harmonic Distortion/Tracks With Emphasis Off. G+D/L+R: 1 KHz, 0db
1.33. Signal-To-Noise Ratio: Zero Digital Level ('Infinite Zero'), Emphasis Off
1.34. Signal-To-Noise Ratio: Zero Digital Level ('Infinite Zero'), Emphasis On
1.35. Analoque Desemphasis Circuit Control: Calibration Reference Tone 1 KHz Odb Emphasis Off ...
1.36. Analogue Desemphasis Circuit Control: 15+50 Us 20/20000Hz OdB Emphasis On
1.37. Analogue Desemphasis Circuit Audible Incidence: Music Recorded With Pre-Emphasis On - Slovak Philharmonic Orchestra/Kurt Redel
1.38. Analogue Desemphasis Circuit Audible Incidence: Music Recorded With Pre-Emphasis Off - Slovak Philharmonic Orchestra/Kurt Redel
1.39. Transient Signals Response: Square Waves -6 dB, 400Hz Emphasis Off
1.40. Transient Signals Response: Square Waves -6 dB, 1000Hz Emphasis Off
1.41. Transient Signals Response: Tonebursts 400Hz, -6dB Emphasis Off
1.42. Transient Signals Response: Tonebursts 4 KHz, -6 dB Emphasis Off
1.43. Audible Defferences In Quantization 'From The New World' (Excerpts): 16 Bits Encoded Music... - Slovak Philharmonic Orchestra/Kurt Redel
1.44. Audible Defferences In Quantization 'From The New World' (Excerpts): 15 Bits Encoded Music... - Slovak Philharmonic Orchestra/Kurt Redel
1.45. Audible Defferences In Quantization 'From The New World' (Excerpts): 14 Bits Encoded Music - Slovak Philharmonic Orchestra/Kurt Redel
1.46. Audible Defferences In Quantization 'From The New World' (Excerpts): 8 Bits Encoded Music... - Slovak Philharmonic Orchestra/Kurt Redel
1.47. Intermodulation By Crosstalk: 1000 Hz Left, 5KHz, Right, OdB Emphasis Off
1.48. Intermodulation By Crosstalk: 5Khz Left, 1000Hz Right, OdB Emphasis Off
1.49. Intermodulation Distortion: 50Hz + 7KHz, G+D/L+R Emphasis Off
1.50. Intermodulation Distortion: 400Hz +7 KHz, G+D/ L+R Emphasis Off
1.51. Intermodulation Distortion: 19 KHz/ 20 KHz, G+D/ L+R Emphasis Off
1.52. Digital-Analogue Converter Overload Effect, The Moldau (Excerpts): 1 KHz OdB, G+D/ L+R Emphasis Off - Slovak Philharmonic Orchestra/Kurt Redel
1.53. Digital-Analogue Converter Overload Effect, The Moldau (Excerpts): 1 KHz + 3dB, G+D/ L+R Emphasis Of - Slovak Philharmonic Orchestra/Kurt Redel
1.54. Digital-Analogue Converter Overload Effect, The Moldau (Excerpts): 1 KHz + 6dB, G+D/ L+R Emphasis Of - Slovak Philharmonic Orchestra/Kurt Redel
1.55. Digital-Analogue Converter Overload Effect, The Moldau (Excerpts): Music At A Nominal Level... - Slovak Philharmonic Orchestra/Kurt Redel
1.56. Digital-Analogue Converter Overload Effect, The Moldau (Excerpts): Music With A 9 dB Overload... - Slovak Philharmonic Orchestra/Kurt Redel

2.1. Tests Series # 1, Variations Of Linear Cutting Velocity Of The CD: 1,40m/s
2.2. Tests Series # 1, Variations Of Linear Cutting Velocity Of The CD: 1,20m/s
2.3. Tests Series # 1, Variations Of Linear Cutting Velocity Of The CD: 1,25m/s
2.4. Tests Series # 1, Variations Of Linear Cutting Velocity Of The CD: 1,30m/s
2.5. Tests Series # 1, Variations Of Linear Cutting Velocity Of The CD: 1,35m/s
2.6. Tests Series # 1, Variations Of Linear Cutting Velocity Of The CD: 1,40m/s
2.7. Tests Series #2, Combined Tests-Variation Of Velocity/Variations Of Track Pitch: 1,4m/s & 1,5um
2.8. Tests Series #2, Combined Tests-Variation Of Velocity/Variations Of Track Pitch:1,4m/s & 1,7um
2.9. Tests Series #2, Combined Tests-Variation Of Velocity/Variations Of Track Pitch: Continuous...
2.10. Tests Series #2, Combined Tests-Variation Of Velocity/Variations Of Track Pitch:1,2m/s & 1,7um
2.11. Tests Series #2, Combined Tests-Variation Of Velocity/Variations Of Track Pitch:1,2m/s & 1,5um
2.12. Tests Series #2, Combined Tests-Variation Of Velocity/Variations Of Track Pitch:Return To Normal...
2.13. Tests Series # 3, Variations Of Track Pitch: 1,70um
2.14. Tests Series # 3, Variations Of Track Pitch: 1,65um
2.15. Tests Series # 3, Variations Of Track Pitch: 1,60um
2.16. Tests Series # 3, Variations Of Track Pitch: 1,55um
2.17. Tests Series # 3, Variations Of Track Pitch: 1,50um
2.18. Tests Series # 3, Variations Of Track Pitch: Return To Normal Parameters Of This Test CD
2.19. Tests Series # 4, CD Player Ability To Detect The Digital Signal (HF Detection Level): Very Low...
2.20. Tests Series # 4, CD Player Ability To Detect The Digital Signal (HF Detection Level): Low...
2.21. Tests Series # 4, CD Player Ability To Detect The Digital Signal (HF Detection Level): Average...
2.22. Tests Series # 4, CD Player Ability To Detect The Digital Signal (HF Detection Level): High...
2.23. Tests Series # 4, CD Player Ability To Detect The Digital Signal (HF Detection Level): Very High...
2.24. Tests Series # 4, CD Player Ability To Detect The Digital Signal (HF Detection Level): Return To...
2.25. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 0,05mm (0,038ms)
2.26. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 0,10mm (0,077ms)
2.27. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 0,20mm (0,1540ms)
2.28. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 0,30mm (0,230ms)
2.29. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 0,50mm (0,385ms)
2.30. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 0,75mm (0,577ms)
2.31. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 1,00mm (0,770ms)
2.32. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 1,25mm (0,960ms)
2.33. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 1,50mm (1,150ms)
2.34. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 2,00mm (1,540ms)
2.35. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 2,40mm (1,850ms)
2.36. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 2,50mm (2,080ms)
2.37. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 3,00mm (2,500ms)
2.38. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: 4,00mm (3,080ms)
2.39. Tests Series # 5, Drop-Outs Tests (Absence Of Data On The Disc): Drop-Out: Return to Normal...
2.40. Tests Series #6, Combinated Tests-Drop-Outs Size Variations And Minimum Track Pitch: Drop-Out: 1mm
2.41. Tests Series #6, Combinated Tests:Drop-Outs Size Variations And Minimum Track Pitch: Drop-Out: 1,5mm
2.42. Tests Series #6, Combinated Tests-Drop-Outs Size Variations And Minimum Track Pitch: Drop-Out: 2mm
2.43. Tests Series #6, Combinated Tests-Drop-Outs Size Variations And Minimum Track Pitch: Drop-Out: 2.4mm
2.44. Tests Series # 7, Ability To Correct Successive Drop-Outs: Drop-Outs: 2x0, 1mm
2.45. Tests Series # 7, Ability To Correct Successive Drop-Outs: Drop-Outs: 2x0,2mm
2.46. Tests Series # 7, Ability To Correct Successive Drop-Outs: Drop-Outs: 2x0,5mm
2.47. Tests Series # 7, Ability To Correct Successive Drop-Outs: Drop-Outs: 2x1mm
2.48. Tests Series # 7, Ability To Correct Successive Drop-Outs: Drop-Outs: 2x1,5mm
2.49. Tests Series # 7, Ability To Correct Successive Drop-Outs: Drop-Outs: 2x2,4mm
2.50. Tests Series # 7, Ability To Correct Successive Drop-Outs: Drop-Outs: 2x3mm