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Résumé1.1. Nos autem gloriari oportet in cruce domini (introitus) 1.2. Procedamus in pace! - cum angelis + psalm 24 (23), verses 7-10 (antiphon) 1.3. Ave, rex noster, fili david (antiphon) 1.4. Hoc corpus, quod pro vobis tradetur (communio) 1.5. Ubi est caritas et dilectio (antiphon) 1.6. Congregavit nos in unum - ubi caritas et amor + psalm 133 (132), verse 1 (antiphon) 1.7. Passio domini nostri jesu christi secundum joannem (st. john passion) excerpts: joh. 18, 33, 36-37; 19, 1.5-6.15) 1.8. Ecce lignum crucis (acclamation) 1.9. Popule meus + crucem tuam (improperien) 1.10. Incipit lamentatio jeremiae prophetae (lectio I, feria V) 1.11. Recessit pastor noster (responsorium IV) 1.12. Oratio jeremiae prophetae (lectio IX, sab.s.) 1.13. Kyrie eleison - respice, quaesumus, domine 1.14. Hac die, quam fecit dominus - elogium: christus dominus resurrexit! 1.15. Halleluia + psalm 117 (116), 1-2 + doxologie (10 times alleluia) 2.1. Te decet laus (conclusion of the matins) 2.2. Gloria in excelsis deo (grand doxology - hymn to the angels) 2.3. Aeterne rerum conditor (hymn at lauds on sundays) (excerpt) 2.4. Inventor rutili (hymn for the lighting of the easter fire) 2.5. Mediae noctis tempus est (hymn for the night vigil) 2.6. A solis ortus cardine (hymn for christmas vespers) 2.7. Gloria, laus, et honor (processional hymn for palm sunday) 2.8. Sancti, venite, christi corpus (celtic hymn for holy thursday) 2.9. Congregavit nos in unum christi amor (antiphon for the washing of the feet on holy thursday) 2.10. Pange, lingua (hymn to the holy cross on good friday) 2.11. Hic est dies verus dei (hymn for the easter liturgy of milan) 2.12. Beata nobis gaudia (hymn at lauds for pentecost) 2.13. Ave, maris stella (hymn to mary) 2.14. Ut queant laxis (hymn to st. john the baptist) 2.15. Aurea luce (hymn for vespers at the feasts of saints peter and paul) 2.16. Urbs beata ierusalem (hymn for the dedication of a church) 2.17. O quanta, qualia (hymn for vespers on saturdays) 2.18. Alleluia, dulce carmen (farewell to the alleluia before lent) 3.1. Grates nunc omnes reddamus domino deo (sequence for christmas, midnight mass) 3.2. Laetabundus exsultet fidelis chorus (sequence for christmas, third mass) 3.3. Stans a longe publicanus (antiphon, sequence of the publican - 10th sunday after pentecost) 3.4. Lauda, sion, salvatorem (sequence for corpus christi) 3.5. Victimae paschali laudes (easter sequence) 3.6. Zima vetus expurgetur (easter sequence) 3.7. Summi triumphum regis (sequence for the ascension) 3.8. Omnes gentes, plaudite (sequence for the ascension) 3.9. Veni, sancte spiritus (sequence for pentecost) 3.10. Dies irae, dies illa (sequence from the mass for the dead - requiem) 3.11. Rex caeli, domine maris (musica enchiriadis) 3.12. Mundi aetate octava (sequence for feasts of saints) 4.1. Mos florentis venustatis 4.2. Gaudeat ecclesia (de nativitate domini) 4.3. Nove geniture (de nativitate domini) 4.4. Ecce nomen domini (de nativitate domini) 4.5. Resultet plebs fidelis (de nativitate domini) 4.6. Nunc angelorum gloria 4.7. Dies ista colitur 4.8. Verbum patris humanatur 4.9. In natali summi regis 4.10. Resonet in laudibus (item de nativitate domini) 4.11. Puer nobis nascitur (de nativitate ad benedicamus) 4.12. Dulces laudes tympano (de sancto stephano prothomartyris) 4.13. Ecce iam celebria (in die sanctorum innocentium) 4.14. Ecce novus annus est (ad novum annum) 4.15. Anni novi novitas (cum infulatus et vestitus presul intronisator) 4.16. Nostri festi gaudium (in circumcisione domini) 4.17. Gregis pastor tytirus 4.18. Floricet vox dulcisonans (item de sancta maria) 4.19. Nove lucis hodie (de beata virgine) 4.20. Mater summi domini (de beata virgine) 4.21. Kyrie "magne deus potencie" (in summo festo pentecostis) 4.22. Castis psallamus mentibus 4.23. Iubar miri luminis (in translatione sancti castuli martyris) 4.24. Procedentem sponsum (in nativitate domini ad vesperas benedicamus) 4.25. Surrexit christus hodie (in die resurrectionis) 4.26. Christus vicit resurgendo (in die resurrectionis) 4.27. Ite benedicti et electi 5.1. Kyrie 11 5.2. Gloria 5 5.3. Credo 1 5.4. Sanctus 3 (sanctus - hosanna - benedictus - hosanna) (3-part: vocal + flûte, fiddle, tenor sackbut, tenor fiddle) 5.5. Sanctus papale (sanctus - hosanna - benedictus - hosanna) (2- to 4-part: vocal + flûte, discant bombard, tenor sackbut, tenor fiddle) 5.6. Gloria ad modum tubae (2 sopranos and 2 natural trumpets) 5.7. Lamentatio sanctae matris ecclesiae constantinopolitanae (4-part: vocal+flûte, tenor sackbut, bass viol) 5.8. Ave regina caelorum (3-part: vocal and tenor sackbut) 5.9. Mittit ad virginem (sequence - prosa de beata virgine/petrus abaelard) (3-part) 5.10. Veni creator spiritus (hymnus in pentecostes festo) (3-part: vocal + tenor flûte, alto crumhorn, 2 fiddles) 5.11. Quel fronte signorille (ballata) (3-part: soprano solo + flûte, 2 fiddles, virginal) 5.12. J''atendray tant qu''il vous playra (rondeau) (3-part: soprano solo + flûte, 3 fiddles, virginal) 5.13. Se la face ay pale (ballade) 6.1. Laudiamo jesu 6.2. Virgene benedeta 6.3. O maria diana stella 6.4. O gloriosa vergina maria 6.5. Jesu dulcis memoria (3 parts) 6.6. Jesu dulcis memoria (4 parts) 6.7. Ave mater o maria 6.8. Ave maria, virgo serena 6.9. Ave maria, gratia plena 6.10. Crucifixum in carne 6.11. Tutti debiam cantare 6.12. Amor, jesu, divino 6.13. O signor mio 6.14. Dilecto jesu christo 6.15. Lauda sion salvatorem 6.16. Anima christi, sanctifica me 6.17. Recordare frater pie 7.1. Kyrie. christe. kyrie 7.2. Gloria 7.3. Credo 7.4. Sanctus. benedictus 7.5. Agnus dei 7.6. Tu solus, qui facis mirabilia 7.7. Sanctus de passione 7.8. Miserere mei, deus 7.9. Qui velatus facie fuisti 7.10. Absalon, fili mi 7.11. Planxit autem david 7.12. Inviolata, integra et casta es maria 8.1. Psalm 37 "erzurne dich nicht" / "fret not thyself" (for 7 parts/7-stimmig) 8.2. Octo tonorum melodiae, ton V (5-part instrumental fantasias/5-stimmige instrumental-fantasien) 8.3. Psalm 12 "hilf, herr, die heiligen haben abgenommen" / "help lord, for the faithful fail" (for 6 voices, vocal/6-stimmig, vokal) 8.4. Psalm 13 "herr, wie lange willst du mein so gar vergessen?" / "how long wilt thou forget me, lord? (for 5 voices/5-stimmig) 8.5. Octo tonorum melodiae, ton III (5-part instrumental fantasias/5-stimmige instrumental-fantasien) 8.6. Psalm 86 "herr, neige deine ohren" / "bow down thine ear, o lord" (for 6 voices/6-stimmig) 8.7. Kyrie 8.8. Gloria 8.9. Sanctus 8.10. Agnus dei 8.11. O admirabile commercium - christmas antiphon/weihnachts-antiphon (for 5 voices/5-stimmig, vocal/vokal) 8.12. In gottes namen fahren wir/in god's name we go forth (for 4 parts, instrumental, 4-stimmig, instrumental) 8.13. Konig, ein herr ob alle reiche/king and lord of all (for 4 voices, vocal/4-stimmig, vokal) 9.1. Introdutto (instrumentale) 9.2. Annunziamento: "silenzio! udite!" (coro) 9.3. "ha' tu veduto un mio vitellin bianco" (mopso) 9.4. "caro mio mopso, a pie di questo fonte" (aristeo) 9.5. "aristeo mio, questa amorosa face" (mopso) 9.6. "mopso, tu parli queste cose a' morti" (aristeo) 9.7. Canzona d'aristeo: "udite, selve mie dolce parole" (coro) 9.8. Instrumental frottola [(intromessa) (instrumentale)] 9.9. "e' non e tanto il mormorio piacevole" (mopso) 9.10. "si ho!" (tirsi e coro) 9.11. "rimanti, mopso!0.." (aristeo) 9.12. "o mi convien" (aristeo) 9.13. "o tirsi, che ti par del tuo car sire?" (mopso) 9.14. "non mi fuggir, donzella" (aristeo e coro) 9.15. Intromessa (instrumentale) 9.16. "o meos longum" (orfeo e coro) 9.17. "crudel novella ti rapporto, orfeo" (un pastore) 9.18. Intromessa (instrumentale) 9.19. "dunque piangiamo" (orfeo) 10.1. "pieta, pieta! del misero" (orfeo e coro) 10.2. "chi e costui che con si dolce nota" (plutone) 10.3. "costui vien contro le legge de' fati" (minos) 10.4. Pavana [intromessa (instrumentale)] 10.5. "o regnator di tutte quelle genti" (orfeo e coro) 10.6. "I' non credetti" (prosperina) 10.7. "io te la rendo" (plutone) 10.8. Intrada [intromessa (instrumentale)] 10.9. "ite triumphales" (orfeo) 10.10. "oime, che 'l troppo amore" (euridice) 10.11. "oime! se' mi tu tolta" (orfeo) 10.12. "piu non venire avanti" (una furia) 10.13. "qual sara mai si miserabil canto" (orfeo) 10.14. Quanto e misero l'uom 10.15. "fanne di questo giove intera fede" (orfeo) 10.16. Pavana [intromessa (instrumentale)] 10.17. "ecco quel che l'amor nostro dispreza!" (baccante) 10.18. Intromessa (instrumentale) 10.19. Baccanti: "ognun segua, bacco, te!" (coro) 11.1. Deduc me domine (motet for five voices) 11.2. Sanctus 11.3. Agnus dei 11.4. In via hac, qua ambulabam (five-part vocal/instrumental motet) 11.5. Ein ander teuttscher tantz 11.6. Der mohren aufzugkh 11.7. Mattasin oder toden tantz 11.8. Tantz von gott will ich nicht lassen 11.9. Miserere mei deus (psalm l, five-part composition for voices and instruments) 12.1. Introduttione ai balletti 12.2. L'innamorato 12.3. Il bell'humore 12.4. Il contento 12.5. Speme amorosa 12.6. Lo schernito (instrumental) 12.7. Gloria d'amore 12.8. Il piacere 12.9. L'ardito 12.10. Amor vittorioso 12.11. Il premiato (instrumental) 12.12. La sirena 12.13. La ballezza 12.14. Caccia d'amore 12.15. Il martellato 12.16. L'acceso 12.17. Concerto di pastore a 8 13.1. Anchor che col partire - recorder, 2 descant viols, tenor violin, bass viol 13.2. Anchor ch'io possa dire (instrumental) - recorder, descant viol, tenor and alto sackbuts, tenor violin, 2 bass viols 13.3. Anchor che col partire (tabulatur: andrea gabrieli) 13.4. Anchor che col partire (venice 1577) (instrumental) - descant viol, 2 tenor violins, bass viol 13.5. Anchor che col partire (1597) (vocal) 13.6. Anchor che col partire (1609) - recorder, harpsichord 13.7. Anchor che col partire (1568) 13.8. Missa "anchor che col partire" (1565) kyrie/sanctus-hosanna/benedictus-hosanna/agnus dei - recorder, 2 descant viols, tenor sackbut, bass viol, organ 13.9. O felici occhi miei - recorder, 2 descant viols, tenor violin, bass viol 13.10. O felici occhi miei (1564) (instrumental) - descant viol, 2 bass viols 13.11. Recercada segunda sobre "o felici occhi miei" (1553) - descant viol, harpsichord 13.12. Recercada prima sobre, "o felici occhi miei" (1553) - bass viol, harpsichord 13.13. Il bianco e dolce cigno - 2 recorders, descant viol, bass viol 13.14. Il bianco e dolce cigno (vocal) 13.15. Missa" il bianco e dolce cigno" (1629): I. kyrie - II. agnus dei 13.16. Amor quanto piu lieto - recorder, 2 tenor violins, bass viol 13.17. Se l'ardor foss' equale (vocal) 13.18. Trist' amarilli mia dunqu'e pur vero (vocal) 13.19. La bella donna 13.20. Madonna, per voi ardo - recorder, 2 descant viols, tenor sackbut, bass viol, harpsichord 13.21. Voi ve n'andat' al cielo (1539) - recorder, 2 descant viols, tenor sackbut, bass viol, harpsichord 13.22. Voi mi ponest' in foco - (soprano solo) descant viol, bass viol 13.23. Ver' infern' e'l mio petto (vocal) 13.24. Il ciel che rado virtu tanta mostra - (soprano solo) descant viol, 2 bass viols 13.25. Ahime, ahime, dov' e'l bel viso? - alto sackbut, tenor sackbut, tenor violin, bass viol, harpsichord 13.26. Datemi pace - (soprano solo) descant viol, 2 tenor violins, bass viol 13.27. Non e lasso martire - recorder, descant viol, tenor violin, tenor sackbut, bass viol 13.28. Come la notte ogni fiammella e viva - 2 recorders 13.29. Hor che l'aria 14.1. Lasciatemi morire! (prima parte) 14.2. O teseo, o teseo mio (seconda parte) 14.3. Dove, dov'e la fede? (terzo parte) 14.4. Ahi, che non pur rispondi! (quarta e ultima parte) 14.5. Alcun non mi consigli (libro 9) [a 3 voci: altus, tenor, bassus] 14.6. Non havea febo ancora [a 3 voci: 2 tenors, bassus] 14.7. Amor (lamento della ninfa) [a 4 voci: cantus, 2 tenors, bassus] 14.8. Si tra sdegnosi pianti [a 3 voci: 2 tenors, bassus] 14.9. Bel pastor (libro 9) [a 2 voci: cantus, tenor] 14.10. Ardo e scoprir (libro 8) [a 2 voci: 2 tenors] 14.11. Ohime, ch'io cado, from "quarto scherzo delle ariose...di carlo milanuzzi" (1624) [ per voce solo: altus] 14.12. Eri gia tutta mia, from "scherzi musicali..." (1632) [per voce solo: altus] 14.13. Eccomi pronta ai baci (libro 7) [a 3 voci: 2 tenors, bassus] 14.14. Una donna fra l'altre (libro 6) [a 5 voci: cantus, altus, 2 tenors, bassus] 14.15. Tu dormi (libro 7) [a 4 voci: cantus, 2 tenors, bassus] 15.1. Fantasie IV 15.2. Pavane I 15.3. The right honourable ferdinando, earle of darby, his galliard 15.4. The witches daunce in the queenes maske - almaine 15.5. Coranto III 15.6. Volta VI 15.7. Fantasie VII 15.8. Pavane IV 15.9. The right honourable robert earle of essex, high marshall of england, his galliard 15.10. Sir henry guilforde, his almaine 15.11. Coranto VII 15.12. Volta II 15.13. Sir john langton, his pavin 15.14. The right honourable, the lady cliftons spirit, galliard 15.15. The first of the queenes maskes - almaine 15.16. The last of the queenes maskes - almaine 15.17. Mounsier ballard, his coranto 15.18. Mounsier saman, his coranto 15.19. Fantasie V 15.20. Pavane II 15.21. The most high and mightie christanus, the fourth king of denmarke, his galliard 15.22. Sir john smith, his almaine 15.23. Volta no. 3 15.24. Volta no. 1 16.1. I. pavan 16.2. II. air 16.3. III. air 16.4. IV. air (galliard) 16.5. V. corant 16.6. VI. saraband I 16.7. VII. saraband II 16.8. I. fantasia 16.9. II. air (alman) 16.10. III. air (galliard) 16.11. Cupids, wearie of the court 16.12. O my clarissa, thou cruel faire 16.13. Gather ye rosebuds while ye may 16.14. Beauty in eclipsa (tell me Noé more, her eyes are like) 16.15. Justitia sacrum (whieles I this standing lake) 16.16. When man ffor sinne thy judgment feeles 16.17. I. pavan (on a thème by coprario) 16.18. II. divisions upon the pavan 17.1. Te deum patrem 17.2. Kyrie from missa super "josef, lieber josef mein" 17.3. Cantabo domino 17.4. Laudate dominum (psalm 116) 17.5. Magnificat anima mea dominum, IV. toni 17.6. Hodie christus natus est (motet) 17.7. Veni domine et noli tardare 17.8. Consolamini popule meus (motet) 17.9. Tribus miraculis (hodie antiphon for epiphany) 17.10. Laudate dominum in sanctis (motet from psalm 150) 17.11. Duo seraphim clamabant 17.12. Sanctus from "missa octo vocum" 17.13. Ave regina caelorum (antiphon for virgin mary) 17.14. Magnificat III.toni, canticum b.m.V. 17.15. Regina caeli laetare (antiphon for virgin mary) 17.16. Fit porta christi pervia (hymn) 18.1. Jesu summa benignitas (alto solo, 3 bass viols, choir and basso continuo) 18.2. Ein kleines kindelein ist uns heut'geboren (soprano solo, 3 bass viols, 2 violins, 2 recorders, choir and basso continuo) 18.3. Gegrust seist du, o jesulein (tenor solo, 3 bass viols and basso continuo) 18.4. Magnificat anima mea dominum (2 violins, 3 bass viols, choir and basso continuo) 18.5. Christo cantemus principi (soprano solo, 2 violins, 2 recorders and basso continuo with lute) 18.6. Laudate dominum de coelis (soprano, 2 tenors, 2 violins, choir for 5 voices and basso continuo) 18.7. Sancta maria, ora pro nobis (choir of 4-5 voices, 2 violins, 2 recorders, bassoon and basso continuo) 18.8. Ave maria gratia plena (soprano, 2 violins and basso continuo) 18.9. Surrexit christus hodie (IV) (soprano solo, choir and basso continuo) 18.10. Regina caeli laetare, alleluia (soprano, tenor, violins unisono and basso continuo) 18.11. Surrexit christus hodie (V) (soprano solo, choir and basso continuo with lute) 19.1. Mark how the lark and linnet sing 19.2. So ceas'd the rival crew when purcell came 19.3. We beg not hell, our orpheus to restore 19.4. The heav'nly quire, who heard his notes from high 19.5. Cloe found amintas lying all in tears 19.6. Why weeps asteria? 19.7. Loving above himself (poor celadon) 19.8. Shepherds, deck your crooks 19.9. Ah heav'n! what is't I hear? 19.10. Epilogue: sing, sing ye muses 20.1. I. preludio (vivace) 20.2. II. corrente (allegro) 20.3. III. sarabanda (largo) 20.4. IV. giga (allegro) 20.5. Preludio - largo 20.6. Allemanda - allegro 20.7. Sarabanda - largo 20.8. Giga - allegro 20.9. Preludio - largo 20.10. Giga - allegro 20.11. Adagio 20.12. Tempo di gavotta - allegro 20.13. Preludio - adagio 20.14. Allemanda - allegro 20.15. Sarabanda - largo 20.16. Gavotta - allegro 20.17. Giga - allegro 20.18. Preludio - adagio 20.19. Allegro 20.20. Adagio - vivace 20.21. Gavotta - allegro 20.22. Sonata in g minor, op. 5, no. 12 "la follia" 21.1. Prelude (gracieuesement) 21.2. Allemande (gayement, et les croches egales) 21.3. Sarabande (grave) 21.4. Gavotte 21.5. Musette (dans le gout de carillon: rondeau) 21.6. (gravement et mesure) 21.7. Allemande a 4 temps legers (vivement et les croches egales et marquees) 21.8. Sarabande (mesuree; noblement) 21.9. Air de diable (tres vite) 21.10. Siciliene (tendrement et loure) 21.11. (gravement, et gracieusement) 21.12. Allemande (gayement) 21.13. Sarabande (grave) 21.14. Fuguete (legerement) 21.15. Gavotte (gayement) 21.16. Siciliene (tendrement et loure) 21.17. Le charme (gracieuesement, et gravement) 21.18. L'enjouement (gayement) 21.19. Les graces (courante française) 21.20. Le je-ne-scay-quoy (gayement) 21.21. La vivacite 21.22. La noble fierte (sarabande: gravement) 21.23. La douceur (amoureusement) 21.24. L'et caetera ou menuets 22.1. (gravement et mesure) 22.2. Air tendre et loure, sans lenteur 22.3. Plainte pour les violes (lentement et douloureusement) 22.4. La tromba (legerement) 22.5. (majestueusement, sans trop de lenteur) 22.6. Allemande (fierement, sans lenteur) 22.7. Seconde allemande (plus legere) 22.8. Courante 22.9. Sarabande (tres grave, et tres marquee) 22.10. Gigue (louree) 22.11. Rondeau (legerement et galamment) 22.12. (pointe - coule) 22.13. Badinage 22.14. (lentement et pathetiquement) 22.15. (gracieusement et legerement) 22.16. (gravement) 22.17. Allemande (gayement) 22.18. Sarabande (gravement) 22.19. Fuguete 23.1. Ouverture 23.2. Grande ritournele (gravement) 23.3. Air (noblement) 23.4. Air tendre (rondeau) 23.5. Air leger 23.6. Loure (pesamment) 23.7. Air (anime, et leger) 23.8. Sarabande grave, et tendre 23.9. Air leger 23.10. Air tendre (lentement) 23.11. Air de baccantes (tres anime) 23.12. Vivement 23.13. Air (agreablement) 23.14. Sarabande (tendrement) 23.15. Chaconne (legere) 23.16. Corelli au pied du parnasse prie les muses de le recevoir parmi elles (gravement) 23.17. Corelli charme de la bonne réception qu' on lui fait au parnasse, en marque sa joye. il continue avec ceux qui l'accompagnent (gayement) 23.18. Corelli buvant a la source d'hippocrene. sa troupe continue. notes egales, et coulees, et moderement 23.19. Entouziasme de corelli cause par les eaux d'hippocrene (vivement) 23.20. Corelli après son entouziasme s'endort; et sa troupe joue le sommeil suivat tree doux. notes egales et coulees 23.21. Les muses reveillent corelli, et le placent aupres d'apollon (vivement) 23.22. Remerciement de corelli (gayement) 24.1. I. prelude (gravement) 24.2. II. allemande (legerement) 24.3. III. sarabande (mesure) 24.4. IV. gavotte (notes egales et coulees) 24.5. V. gigue (legerement) 24.6. VI. menuet en trio 24.7. I. prelude (gracieusement) 24.8. II. allemande fuguee (gayement) 24.9. III. air tendre 24.10. IV. air contre-fugue (vivement) 24.11. V. echos (tendrement) 24.12. I. prelude (lentement) 24.13. II. allemande (legerement) 24.14. III. courante 24.15. IV. sarabande (grave) 24.16. V. gavotte 24.17. VI. musette 24.18. VII. chaconne (legere) 24.19. I. prelude (gravement) 24.20. II. allemande (legerement) 24.21. III. courante française (galamment) 24.22. IV. courante a l'italienne (pointe-coule, gayement) 24.23. V. sarabande (tres tendrement) 24.24. VI. rigaudon (legerement et marque) 24.25. VII. forlane rondeau (gayement) 25.1. Lulli aux champs elises: concertant avec les ombres liriques. (gravement) 25.2. Air pour les memes. (gracieusement) 25.3. Vol de mercure aux champs elises pour avertir qu' apollon y va descendre. (tres vite) 25.4. Descente d'apollon, qui vient offrir son violon a lulli, et sa place au parnasse. (noblement) 25.5. Rumeur souterraine: causee par les auteurs-contemporains de lulli. (vite) 25.6. Plaintes des memes: pour des flutes ou des violons tres adoucis. (dolement) 25.7. Enlevement de lulli au parnasse. (tres legerement) 25.8. Accucil entre-doux, et-agard, fait a lulli par corelli, et par les muses italienes. (largo) 25.9. Remerciement de lulli a apollon. (gracieusement) 25.10. Essai en forme d'ouverture: lulli et les muses françaises - corelli et les muses italienes. (legament, sans lenteur) 25.11. Lulli jouant de sujet et corelli l'accompagnant. (au leger) 25.12. Corelli jouant le sujet, a son tour, que lulli accompagne. (second air) 25.13. Gravement 25.14. Saillie (vivement) 25.15. Rondement 25.16. Vivement 25.17. (gravement) 25.18. (gaiement) 25.19. Air (tendrement) 25.20. (gravement) 25.21. Legerement 25.22. (vivement) 25.23. (lentement) 25.24. (vivement) 25.25. Tres lentement 25.26. Legerement 25.27. (air tendre) 25.28. Gaiement 25.29. Gaiement (bruit de guerre) 25.30. Air (lentement) 25.31. Gravement 25.32. Legerement 25.33. Mouvement des fanfares 25.34. Lentement 25.35. Gravement 25.36. Gaiement (lentement) 26.1. "la de belombre" in d minor (from the 3rd book, 1758) 26.2. "les graces" tendrement in d major (from the 3rd book) 26.3. "la damanzy" in d major (from the 1st book, 1744) 26.4. "la forqueray" rondeau (rondeau) in f minor (from the 3rd book) 26.5. "la pothouin" in c minor (from the 4th book, 1768) 26.6. "allemande" in d minor (from the 1st book) 26.7. "courante" in d minor (from the 1st book) 26.8. "menuets" in d major (from the 3rd book) 26.9. "la damanzy" vivement in a major (from the 2nd book, 1748) 26.10. "la felix" noblement in d minor (from the 2nd book) 26.11. "chaconne" in f major (from the 3rd book) 27.1. Nr. 2 "la forqueray" vivement et d'aplomb 27.2. Nr. 3 " la cottin" galamment sans lenteur 27.3. Nr. 5 "la portugaise" marque et d' aplomb 27.4. Nr. 6 "la couperin" noblement et marche 27.5. Nr. 10 "la leclair" tres vivement et detache 27.6. Nr. 12 "la ferrand" detache, et d' une belle execution 27.7. Nr. 13 "la regente" 27.8. Nr. 19 "la marella" vivement et marque 27.9. Nr. 20 " la clement" noblement et detache 27.10. Nr. 26 "la rameau" majestueusement 27.11. Nr. 27 "la guignon" vivement et detache 27.12. Nr. 31 "la sylva" tres tendrement 28.1. Bouree d'achille - menuet 28.2. Allemande "la cascade de st. cloud" 28.3. Sarabande "la guimon" 28.4. Courante "l'indifferente (legerement) - double 28.5. Rondeau "le plaintif" (tendrement) 28.6. Menuet "le mignon" (un peu doucement) 28.7. Gigue "l'italienne" 28.8. Echos, for solo transverse flûte 28.9. Prelude (gravement) 28.10. Courante (legerement) 28.11. Grave 28.12. Gigue (vivement) 28.13. Contredanses "la pharaone" - "la petite janeton" 28.14. Prelude (gravement) 28.15. Fugue (gay) 28.16. Grave (gracieusement) 28.17. (vivement, et croches egales) 28.18. Prelude (lentement-gay-lentement) 28.19. Allemande "la royalle" (gracieusement) 28.20. Rondeau "le duc d'orleans" (gay) 28.21. Sarabande "la d'armagnac" 28.22. Gavotte "la meudon" 28.23. Menuet "le comte de brione" 28.24. Gigue "la folichon" 28.25. Quitte la musette - marche des dragons - air 28.26. Prelude (lentement) 28.27. Allemande "la fontainebleau" (gravement) 28.28. Sarabande "le depart" (douloureusement) 28.29. Air "le fleuri" (gayement) 28.30. Gavotte "la mitilde" (tendrement) 28.31. Branle de vilage "l'auteuil" 28.32. Menuet "le beaulieu" 29.1. Musette de mr. clerambault - menuet "la badaut" 29.2. Prelude (lentement - vivement - lentement) 29.3. Allemande (tendrement) 29.4. Sarabande 29.5. Menuet 29.6. Gavotte (tendrement) 29.7. Rondeau 29.8. Gigue 29.9. Fanfare et les dieux for 3 transverse flutes 29.10. Prelude et la regence - tes beaux yeux ma nicole 29.11. Duo "les heureux moments" (tres tendrement-gay, et croches egales, tres lentement) 29.12. Allemande "la marechalle de villars" (majestueusement, et pique) 29.13. Musette (doucement, et les croches pointees) menuet (d'une legerete gracieuse) 29.14. Gigue (legerement) 29.15. Sarabande "la saint maurice" (lentement) 29.16. Rondeau (gay) 29.17. Prelude (lentement) 29.18. Allemande (gai) 29.19. Courante 29.20. Grave 29.21. Gigue 29.22. Rigaudons 29.23. For recorder 29.24. For transverse flûte 29.25. For oboe 29.26. For soprano viola da gamba 29.27. Brunette "l'autre jour ma cloris (tendrement) 29.28. Air de mr. lambert "goutons un doux repos" (tendrement) 30.1. I. allegro 30.2. II. largo e pianissimo sempre 30.3. III. allegro 30.4. I. allegro non molto 30.5. II. adagio 30.6. III. tempo impetuoso d'estate 30.7. I. allegro 30.8. II. adagio molto 30.9. III. allegro 30.10. I. allegro non molto 30.11. II. largo 30.12. III. allegro 30.13. I. allegro non molto 30.14. II. andante 30.15. III. allegro molto 30.16. I. allegro non molto 30.17. II. larghetto 30.18. III. minuetto 31.1. (allegro) 31.2. Largo 31.3. Presto 31.4. Largo - fantasmi - presto 31.5. Il sonno 31.6. Allegro 31.7. Allegro 31.8. Largo 31.9. Allegro 31.10. Allegro 31.11. Largo 31.12. Allegro 31.13. Allegro non molto 31.14. Largo e cantabile 31.15. Allegro 31.16. (allegro) 31.17. Largo 31.18. Allegro 31.19. Andante e spiccato 31.20. Adagio 31.21. Presto 31.22. Allegro spiritoso 31.23. Adagio 31.24. Allegretto 32.1. Adagio e recitativo: "or che una nube ingrata" 32.2. Aria: "senza il misero" (lento) 32.3. Recitativo: "m'itendi?" 32.4. Aria: "contemplar almen chi s'ama" 32.5. Recitativo: "vicino a un rivoletto" 32.6. Aria: "zeffiretto amorosetto" (adagio - andante) 32.7. Recitativo: "ma, oh ciel!" 32.8. Aria: "aime, sento il mio core" (larghetto) 32.9. Recitativo: "mi palpita il cor" 32.10. Aria: "ho tanti affanni in petto" 32.11. Recitativo: "clori, dite mi lagno" 32.12. Aria: "se un di m'adora la mia crudele" 33.1. Sonata in a minor, k 3 33.2. Sonata in f minor, k 185/184 33.3. Sonata in b minor, k 227 33.4. Sonata in f minor, k 238/239 33.5. Sonata in d minor, k 52 33.6. Sonata in e-flat major, k 192/193 33.7. Sonata in a major, k 208/209 33.8. Sonata in e-flat major, k 252/253 33.9. Sonata in d minor, k 191 34.1. Fantasia in c major 34.2. Fantasia in a minor 34.3. I. prelude 34.4. II. fugue 34.5. III. allegro 34.6. I. prelude 34.7. II. allemande 34.8. III. courante 34.9. IV. sarabande 34.10. V. gavotte I - gavotte II (gavotte en rondeau) 34.11. VI. gigue 34.12. I. prelude 34.13. II. allemande 34.14. III. courante 34.15. IV. menuet 34.16. V. gigue 34.17. Tombeau sur la mort de m. comte de logy 35.1. Prelude 35.2. Paduana 35.3. Courante "suedoise" 35.4. Tombeau de mr. blanrocher 35.5. Sarabande 35.6. Gigue 35.7. Prelude 35.8. Pavane "tombeau de la reyne" 35.9. Courante "la marquise" 35.10. Sarabande "la mignarde" 35.11. Canarie "les castagnettes" 35.12. Praeludium 35.13. Allemande 35.14. Pavane 35.15. Courante 35.16. Sarabande 35.17. Gavotte 35.18. Gigue 35.19. Prelude 35.20. Allemande 35.21. Courante 35.22. Rondeau 35.23. Gigue 36.1. I. adagio 36.2. II. vivace 36.3. III. cortesemente 36.4. IV. vivace 36.5. I. grave 36.6. II. vivace 36.7. III. cunando 36.8. IV. vivace 36.9. I. largo 36.10. II. allegro 36.11. III. dolce 36.12. IV. vivace 36.13. V. allegro 36.14. I. andante 36.15. II. allegro 36.16. III. tempo giusto 36.17. IV. vivace 36.18. V. allegro 36.19. I. cantabile 36.20. II. vivace 36.21. III. mesto 36.22. IV. spirituoso 36.23. I. allegro 36.24. II. adagio 36.25. III. allegro assai 36.26. IV. ondeggiando, ma non adagio 36.27. V. allegro 37.1. I. andante 37.2. II. allegro 37.3. III. adagio 37.4. IV. gratioso e semplicemente 37.5. V. presto 37.6. I. siciliana 37.7. II. allegro 37.8. III. dolce, ma non adagio 37.9. IV. grave - vivace 37.10. V. presto 37.11. I. andante 37.12. II. allegro 37.13. III. presto 37.14. IV. dolce 37.15. V. vivace 37.16. I. largo 37.17. II. allegro 37.18. III. ondeggiando 37.19. IV. allegro 37.20. I. andante 37.21. II. presto 37.22. III. con tenerezza 37.23. IV. allegro 37.24. I. adagio 37.25. II. vivace 37.26. III. grave 37.27. IV. allegro 38.1. Vivace 38.2. Mesto 38.3. Allegro 38.4. Largo 38.5. Allegro 38.6. Affettuoso 38.7. Presto 38.8. Dolce 38.9. Vivace 38.10. Sicilliana 38.11. Vivace 38.12. Grave 38.13. Vivace 38.14. Andante 38.15. Xantippe 38.16. Lucretia. largo 38.17. Corinna 38.18. Clelia. spiritoso 38.19. Dido. triste, disperato 38.20. Largo 38.21. Allegro 38.22. Largo 38.23. Vivace 39.1. Andante 39.2. Vivace 39.3. Adagio 39.4. Allegro 39.5. Vivace 39.6. Largo 39.7. Vivace 39.8. Affettuoso 39.9. Vivace 39.10. Grave 39.11. Menuet - trio - menuet 39.12. Largo 39.13. Vivace 39.14. Andante 39.15. Allegro 39.16. Soave 39.17. Presto 39.18. Andante 39.19. Scherzando 40.1. I. larghetto 40.2. II. allegro 40.3. III. larghetto 40.4. IV. a tempo di gavotta 40.5. V. allegro 40.6. I. adagio 40.7. II. allegro 40.8. III. adagio 40.9. IV. allegro 40.10. I. largo 40.11. II. allegro 40.12. III. adagio 40.13. IV. bourree anglaise. allegro 40.14. I. larghetto 40.15. II. allegro 40.16. III. adagio 40.17. IV. allegro 40.18. I. adagio 40.19. II. allegro 40.20. III. adagio 40.21. IV. bourree 40.22. V. menuet 40.23. I. grave 40.24. II. allegro 40.25. III. adagio 40.26. IV. allegro 40.27. I. larghetto 40.28. II. andante 40.29. III. adagio 40.30. IV. presto 41.1. I. adagio 41.2. II. allegro 41.3. III. largo 41.4. IV. allegro 41.5. I. largo 41.6. II. vivace 41.7. III. furioso 41.8. IV. adagio 41.9. V. alla breve 41.10. I. allegro 41.11. II. adagio 41.12. III. allegro 41.13. I. allegro 41.14. II. grave 41.15. III. allegro 41.16. I. larghetto. grave 41.17. II. allegro 41.18. III. alla siciliana 41.19. IV. allegro 41.20. IV. minuet 41.21. VI. andante 41.22. VII. a tempo di menuet 41.23. Andante in d minor for recorder and basso continuo, hwv 409 41.24. II. allegro 42.1. 1. aria: "ich will den kreuzstab gerne tragen" 42.2. 2. recitativo: "mein wandel auf der welt ist einer schiffahrt gleich" 42.3. 3. aria: "endlich, endlich wird mein joch" 42.4. 4. recitativo: "ich stehe fertig und bereit" 42.5. 5. choral: "komm, o tod, du schlafes bruder" 42.6. 1. aria: "ich habe genug" 42.7. 2. recitativo: "ich habe genug! mein trost ist nur allein" 42.8. 3. aria: "schlummert ein, ihr matten augen" 42.9. 4. recitativo: "mein gott! wann kommt das schone nun!" 42.10. 5. aria: "ich freue mich auf meinen tod" 43.1. Prelude 43.2. Fugue 43.3. Variation I: in canone all'ottava 43.4. Variation II: alio modo in canone alla quinta 43.5. Variation III: in canone alla settima 43.6. Variation IV: in canone all'ottava per augmentationem 43.7. Variation V: l'altra sorte del canone al rovescio 43.8. Fuga sopra il magnificat, bwv 733 43.9. Allein gott in der hoh'sei ehr', bwv 663 (from 18 chorales) 43.10. Jesus christus, unser heiland, bwv 665 (from 18 chorales) 43.11. Jesus christus, unser heiland, bwv 666 (from 18 chorales) 43.12. Vor deinen thron tret'ich, bwv 668 (from 18 chorales) 43.13. Prelude 43.14. Fugue 44.1. Toccata 44.2. Fugue 44.3. O lamm gottes unschuldig, bwv 618 (from the orgel-buchlein) 44.4. Partita I 44.5. Partita II 44.6. Partita III 44.7. Partita IV 44.8. Partita V 44.9. Partita VI 44.10. Partita VII 44.11. Prelude 44.12. Fugue 44.13. Wir christenleut', bwv 710 (from chorale preludes) 44.14. Valet will ich dir geben, bwv 736 (from chorale preludes) 44.15. Partita I 44.16. Partita II 44.17. Partita III 44.18. Partita IV 44.19. Partita V 44.20. Partita VI 44.21. Partita VII 44.22. Partita VIII 44.23. Partita IX 44.24. Fantasia in c minor, bwv 562 44.25. Fantasia in g major, bwv 572 45.1. Invention no. 1 in c major, bwv 772 45.2. Invention no. 2 in c minor, bwv 773 45.3. Invention no. 3 in d major, bwv 774 45.4. Invention no. 4 in d minor 45.5. Invention no. 5 in e-flat major, bwv 776 45.6. Invention no. 6 in e major, bwv 777 45.7. Invention no. 7 in e minor, bwv 778 45.8. Invention no. 8 in f major, bwv 779 45.9. Invention no. 9 in f minor, bwv 780 45.10. Invention no. 10 in g major, bwv 781 45.11. Invention no. 11 in g minor, bwv 782 45.12. Invention no. 12 in a major, bwv 783 45.13. Invention no. 13 in a minor, bwv 784 45.14. Invention no. 14 in b-flat major, bwv 785 45.15. Invention no. 15 in b minor, bwv 786 45.16. Sinfonia no. 1 in c major, bwv 787 45.17. Sinfonia no. 2 in c minor, bwv 788 45.18. Sinfonia no. 3 in d major, bwv 789 45.19. Sinfonia no. 4 in d minor, bwv 790 45.20. Sinfonia no. 5 in e-flat major, bwv 791 45.21. Sinfonia no. 6 in e major, bwv 792 45.22. Sinfonia no. 7 in e minor, bwv 793 45.23. Sinfonia no. 8 in f major, bwv 794 45.24. Sinfonia no. 9 in f minor, bwv 795 45.25. Sinfonia no. 10 in g major, bwv 796 45.26. Sinfonia no. 11 in g minor, bwv 797 45.27. Sinfonia no. 12 in a major, bwv 798 45.28. Sinfonia no. 13 in a minor, bwv 799 45.29. Sinfonia no. 14 in b-flat major, bwv 800 45.30. Sinfonia no. 15 in b minor, bwv 801 46.1. I. prelude 46.2. II. allemande 46.3. III. courante I - courante II. avec deux doubles - double I - double II 46.4. IV. sarabande 46.5. V. bourree I - bourree II 46.6. VI. gigue 46.7. I. prelude 46.8. II. allemande 46.9. III. courante 46.10. IV. sarabande 46.11. V. bourree I - bourree II 46.12. VI. gigue 46.13. I. prelude 46.14. II. allemande 46.15. III. courante 46.16. IV. sarabande 46.17. V. gavotte I - gavotte II (ou la musette) 46.18. VI. gigue 47.1. I. prelude 47.2. II. allemande 47.3. III. courante 47.4. IV. sarabande 47.5. V. menuet I - menuet II 47.6. VI. gigue 47.7. I. prelude 47.8. II. allemande 47.9. III. courante 47.10. IV. sarabande 47.11. V. passepied I (en rondeau) - passepied II 47.12. VI. gigue 47.13. I. prelude - allegro 47.14. II. allemande 47.15. III. courante 47.16. IV. sarabande - double 47.17. V. gavotte I - gavotte II 47.18. VI. gigue 48.1. I. allemande 48.2. II. courante 48.3. III. sarabande 48.4. IV. menuet I & II 48.5. V. gigue 48.6. I. allemande 48.7. II. courante 48.8. III. sarabande 48.9. IV. air 48.10. V. menuet 48.11. VI. gigue 48.12. I. allemande 48.13. II. courante 48.14. III. sarabande 48.15. IV. anglaise 48.16. V. menuet 48.17. VI. gigue 48.18. I. allemande 48.19. II. courante 48.20. III. sarabande 48.21. IV. gavotte 48.22. V. air 48.23. VI. gigue 48.24. I. allemande 48.25. II. courante 48.26. III. sarabande 48.27. IV. gavotte 48.28. V. bouree 48.29. VI. loure 48.30. VII. gigue 48.31. I. allemande 48.32. II. courante 48.33. III. sarabande 48.34. IV. gavotte 48.35. V. polonaise 48.36. VI. menuet 48.37. VII. bouree 48.38. VIII. gigue 49.1. I. [ ] 49.2. II. andante 49.3. III. presto 49.4. I. [presto] 49.5. II. allegro 49.6. III. adagio 49.7. IV. fuga 49.8. I. [ ] 49.9. II. [presto] 49.10. III. adagio 49.11. IV. allegro 49.12. Fugue in a minor, bwv 944 49.13. Fantasia in c minor, bwv 906 50.1. I. prilude 50.2. II. allemande 50.3. III. courante 50.4. IV. sarabande 50.5. V. bourrie I & II 50.6. VI. gigue 50.7. I. prilude 50.8. II. allemande 50.9. III. courante 50.10. IV. sarabande 50.11. V. gavotte I & II 50.12. VI. gigue 50.13. Fantasie 50.14. Fugue 51.1. I. prelude 51.2. Allemande 51.3. Courante 51.4. Sarabande 51.5. Menuett I & II 51.6. Gigue 51.7. Prelude 51.8. Allemande 51.9. Courante 51.10. Sarabande 51.11. Menuett I & II 51.12. Gigue 51.13. Prelude 51.14. Allemande 51.15. Courante 51.16. Sarabande 51.17. Bourree I & II 51.18. Gigue 52.1. Prelude 52.2. Allemande 52.3. Courante 52.4. Sarabande 52.5. Bourree I & II 52.6. Gigue 52.7. Prelude 52.8. Allemande 52.9. Courante 52.10. Sarabande 52.11. Gavotte I & II 52.12. Gigue 52.13. Prelude 52.14. Allemande 52.15. Courante 52.16. Sarabande 52.17. Gavotte I & II 52.18. Gigue 53.1. I. andante 53.2. II. largo e dolce 53.3. III. presto 53.4. I. adagio ma non tanto 53.5. II. allegro 53.6. III. siciliano 53.7. IV. allegro assai 53.8. I. vivace* 53.9. II. largo e dolce 53.10. III. allegro 54.1. I. adagio ma non tanto 54.2. II. allegro 54.3. III. andante 54.4. IV. allegro 54.5. I. allemande 54.6. II. corrente 54.7. III. sarabande 54.8. IV. bourree anglaise 54.9. I. allemande (in g minor) for viola 54.10. II. allemande (in g minor) for harpsichord* 54.11. III. corrente (in g minor) for violoncello piccolo 54.12. IV. sarabande (in c minor) for recorder 54.13. V. bourree anglaise (in g minor) for violin 54.14. Concerto in d minor (excerpt) - after the first movement of the flûte sonata in b minor bwv 1030 (arranged by frans bruggen) 55.1. I. [ ] 55.2. II. adagio 55.3. III. allegro 55.4. IV. menuetto - trio polonaise - menuetto - trio 55.5. I. [ ] 55.6. II. andante 55.7. III. allegro assai 55.8. I. [ ] 55.9. II. adagio 55.10. III. allegro 56.1. I. allegro 56.2. II. andante 56.3. III. presto 56.4. I. allegro 56.5. II. affetuoso 56.6. III. allegro 56.7. I. [ ] 56.8. II. adagio, ma non tanto 56.9. III. allegro 57.1. Ricercar a 3 voci (harpsichord) 57.2. Canon perpetuus (flûte, violin, continuo) 57.3. Canon a 2 (harpsichord) 57.4. Canon a 2 (two violins, continuo) 57.5. Canon a 2, per motum contrarium (transverse flûte, harpsichord) 57.6. Canon a 2, per augmentationem, contrario motu (two violins, bass viol) 57.7. Canon a 2, per tonos (violin, harpsichord) 57.8. Fuga canonica (violin, harpsichord) 57.9. Ricercar a 6 (harpsichord) 57.10. Canon a 2, quaerendo invenietis, (harpsichord) 57.11. Canon a 4 (two harpsichords) 57.12. I. largo 57.13. II. allegro 57.14. III. andante 57.15. IV. allegro 57.16. Canon perpetuus, contrario motu (transverse flûte, violin, continuo) 58.1. I. allegro 58.2. II. adagio 58.3. III. allegro 58.4. I. allegro 58.5. II. poco andante 58.6. III. allegro assai 59.1. March in d major from "klavierbuchlein for anna magdalena bach" 59.2. Polonaise in g minor from "klavierbuchlein for anna magdalena bach" 59.3. March in g major from "klavierbuchlein for anna magdalena bach" 59.4. Polonaise in g minor from "klavierbuchlein for anna magdalena bach" 59.5. Poco allegro 59.6. Adagio 59.7. Presto 59.8. Moderato 59.9. Adagio non molto 59.10. Allegro 59.11. Rondo in b-flat major, h.274 (w.58, no. 3) 59.12. Rondo in c minor, h.268 (w.59, no. 2) 60.1. Rondo in g major, h.281 (w.59, no. 1) 60.2. Fantasia in b-flat major, h.289 (w.61, no. 3) 60.3. Rondo in e-flat major, h.288 (w.61, no. 1) 60.4. Allegro di molto 60.5. Allegretto 60.6. Presto di molto 60.7. Abschied von meinem silbermannischen claviere, in einem rondo, h.272 (w.66) 60.8. Freie fantasie furs clavier in f-sharp minor. h.300 (w.67) 61.1. I. moderato 61.2. II. adagio 61.3. III. menuetto. allegretto 61.4. IV. fuga a 4 soggetiti - allegro 61.5. I. allegro di molto 61.6. II. un poco adagio affettuoso 61.7. III. menuetto - allegretto alla zingarese 61.8. IV. presto scherzando 62.1. I. andante moderato 62.2. II. minuetto 62.3. III. cantabile 62.4. IV. finale. allegro 62.5. I. allegro vivo 62.6. II. largo assai 62.7. III. minuetto 62.8. IV. fuga. allegro giusto 62.9. I. adagio 62.10. II. allegro vivo 62.11. III. andante: lantarello 62.12. I. allegro moderato 62.13. II. minuetto 62.14. III. largo. cantabile 62.15. IV. presto. il ballo tedesco 63.1. I. allegro moderato 63.2. II. minuetto 63.3. III. andante. lento 63.4. IV. finale. allegro vivo 63.5. I. allegro moderato assai 63.6. II. minuetto 63.7. III. preludio. adagio 63.8. IV. rondo. allegro giusto 63.9. I. allegro 63.10. II. largo assai 63.11. III. allegro moderato 63.12. I. allegro moderato 63.13. II. adagio 63.14. III. affettuoso 63.15. I. allegro 63.16. II. largo assai 63.17. III. rondo - allegro 64.1. Andante for flûte and accompaniment in c major, k. 315 (285e) 64.2. I. allegro 64.3. II. andantino 64.4. III. rondeau. allegro 65.1. Allegretto grazioso 65.2. I. allegro maestoso 65.3. II. adagio ma non troppo 65.4. III. rondeau. tempo di minuetto 65.5. I. allegro aperto 65.6. II. andante ma non troppo 65.7. III. allegro 66.1. I. allegro spiritoso 66.2. II. andante 66.3. III. menuetto 66.4. IV. contredanse en rondeau. molto allegro 66.5. I. adagio-allegro 66.6. II. menuetto 66.7. III. adagio 66.8. IV. finale. presto 66.9. I. allegro molto 66.10. II. andantino 66.11. III. menuetto. moderato 66.12. IV. presto 66.13. I. thema mit variationen 66.14. II. menuetto 66.15. III. allegro assai 67.1. I. allegro maestoso 67.2. II. menuetto I 67.3. III. adagio 67.4. IV. menuetto II 67.5. V. allegro 67.6. I. allegro 67.7. II. andante 67.8. III. menuetto in canone 67.9. IV. allegro 68.1. I. allegro moderato 68.2. II. adagio 68.3. III. presto 68.4. I. allegro moderato 68.5. II. andante 68.6. III. rondeau. allegro 69.1. Adagio in d major 69.2. [andante] in b-flat major 69.3. Menuetto in f major 69.4. [allegro] in b-flat major 69.5. Andante in f major 69.6. Allegro in f major 69.7. Andante moderato in a major 69.8. Menuetto in d major 69.9. Allegro in a major 69.10. Rondo in b-flat major k. 269 (261a) for violin and accompaniment: rondeaux - allegro 70.1. I. allegro con spirito 70.2. II. andante cantabile 70.3. III. allegretto 70.4. I. molto allegro 70.5. II. adagio, poco andante 70.6. III. rondo. allegro 70.7. I. allegro con spirito 70.8. II. allegro 71.1. I. allegro 71.2. II. andante grazioso 71.3. III. menuetto I & II 71.4. Thema. andantino & variations I-VI 71.5. I. largo - allegro 71.6. II. andante 71.7. III. allegretto 72.1. I. adagio 72.2. II. menuetto. moderato 72.3. III. rondo. allegro assai 72.4. I. allegro 72.5. II. tempo di minuetto 72.6. I. molto allegro 72.7. II. adagio 72.8. III. thema. allegretto (in 6 variations) 73.1. Allegro 73.2. Andante cantabile 73.3. Allegretto grazioso 73.4. Kleiner trauermarsch for piano, k.453a 73.5. Adagio 73.6. Menuetto I/II 73.7. Allegro 73.8. Menuett in d major, k.355/576b 74.1. Allegro moderato 74.2. Andante cantabile 74.3. Allegretto 74.4. Adagio in b minor for piano, k.540 74.5. Allegro 74.6. Adagio 74.7. Allegretto 75.1. The soothing shades of gloaming 75.2. The troubador 75.3. O poortith cauld 75.4. Truehearted was he 75.5. Yes, thou may'st walk in silk attire 75.6. Contented wi'little, and canty wi' mair 75.7. John anderson, my jo' 75.8. Oh my love's like the red, red rose 75.9. Robin is my joy, my dear 75.10. Whar' hae ye been a'day my tammy? 75.11. I. allegro moderato 75.12. II. scherzo, allegro vivace 75.13. III. schafers klage, andante espressivo 75.14. IV. finale, allegro 75.15. I. allegro con fuoco 75.16. II. largo 75.17. III. polacca 75.18. Momento capriccioso in b-flat major, op., 12 for piano 75.19. Adagio in e-flat major and rondo in b-flat major for 2 clarinets, 2 horns and 2 bassoons 76.1. Klage, op. 15, no. 2 76.2. Was zieht zu deinem zauberkreise, op. 15, no. 4 76.3. Der kleine fritz an seine jungen freunde, op. 15, no. 3 76.4. Meine farben, op. 23, no. 1 76.5. Sonett, op. 23, no. 4 76.6. Liebe - gluhen from "funf deutsche lieder," op. 25, no. 1 76.7. Uber die berge mit ungestum from "funf deutsche lieder," op. 25, no. 2 76.8. Las mich schlummern from "funf deutsche lieder," op. 25, no. 3 76.9. Bettlerlied from "funf deutsche lieder," op. 25, no. 4 76.10. Ah, dove siete - canzonetta, op. 29, no. 1 76.11. Ninfe, se liete 76.12. Du moins alors je la voyais - romanze 76.13. Reigen, op. 30, no. 5 76.14. Sind es schmerzen, sind es freuden, op. 30, no. 6 76.15. Die gefangenen sanger, op. 47, no. 1 76.16. Die freien sanger, op. 47, no. 2 76.17. Ein konig einst gefangen sas - romanze 76.18. Ballade, op. 47, no. 3 76.19. Mein verlangen, op. 47, no. 6 76.20. Quodlibet, op. 54, no. 2 76.21. Alte weiber, op. 54, no. 4 76.22. Wenn ich ein voglein war', op. 54, no. 6 76.23. Weine, weine nur nicht, op. 54, no. 7 76.24. Mailied, op. 64, no. 2 76.25. Heimlicher liebe pein, op. 64, no. 3 76.26. Gelahrtheit, op. 64, no. 4 76.27. Elfenlied, op. 80, no. 3 76.28. An danzi 77.1. Praeludium und fuge, g minor (h 25) 77.2. Magnificat 2. toni (4 verse) 77.3. Christe, du lamm gottes, bwv 619 (in canone alla duodecima) 77.4. Allein gott in der hoh' sei ehr', bwv 711 77.5. Christus, der uns selig macht, bwv 620 (in canone all' ottava) 77.6. Praeludium nr. 9 77.7. Ich ruf' zu dir, herr jesu christ (4 variationen) 77.8. In dich hab' ich gehoffet, herr (nr. 26) 77.9. Ciacona (1690) 77.10. Passacaglia (aus "urania," 1738) 78.1. Praludium un fuge in a minor, h. no. 4 78.2. Magnificat primi modi 78.3. Auf meinen lieben gott 78.4. Christum wir sollen loben schon 78.5. Toccata in g major, h. no. 27 78.6. Allein gott in der hoh' sei ehr' 78.7. Ach, wie nichtig, ach, wie fluchtig 79.1. Gaillarde in f from "quatorze gaillardes" 79.2. Carmen from "tabulaturbuch, krakau, 1548" 79.3. Ach reine zart from the "glogauer liederbuch" ca. 1470 79.4. Pavan no. 26 from the "dublin virginalbook" ca. 1570 79.5. Ex more docti from the "mullinerbook" 79.6. In dulci jubilo from "orgeltabulaturbuch" 1503-1531 79.7. Resonet in laudibus 79.8. Passamezzo-galliard no. 2 from the "dublin virginalbook" ca. 1570 79.9. Praeambulum in g (lunenurg kn 207/15) 79.10. Paduana in f 79.11. Galliarda in d 79.12. Praeambulum no. 4 79.13. Variationen uber "herr christ, der einig' gottessohn" no. 12 79.14. Toccata in g no. 21 79.15. Variationen uber "christ lag in todesbanden" no. 3 79.16. Praeambulum no. 5 80.1. Pavan (from the mulliner book, c.1560) 80.2. "wer das tochterlein haben will" from orgel oder instrument tabulaturbuch (1571) 80.3. Pavan and galliard (from the dublin virginal book, c.1570) 80.4. Eterne rerum (conditur from the mulliner book, no. 51) 80.5. Pavan and galliard (from the dublin virginal book, no. 21) 80.6. Gagliarda "cathaccio" (intabolatura nova di balli, venedig, 1551) 80.7. Gagliarda "lodesana" (intabolatura nova di balli, venedig, 1551) 80.8. Toccata and fugue in b-flat major 80.9. Chorale "alle menschen mussen sterben" 80.10. Toccata con durezza e ligature 80.11. Magnificat-fugue no. 5 in f major 80.12. Un cromatico ovvero capricio (primo tuono per le semetoni) 80.13. Canzone francese (no. 7) 80.14. Ricercare (no. 4) 80.15. Magnificat-fugue no. 10 (sextitoni) 80.16. Magnificat-fugue no. 4 (septimi toni) 80.17. Magnificat-fugue no. 13 (octavi toni) 80.18. Praeludium and fugue in g major 81.1. Ballo della battaglia from "selva" (1664) 81.2. Canzona in g minor 81.3. Ricercar no. 1 81.4. Capriccio no. 8 81.5. Toccata e fuga tertia from "IX toccate e fughe" (1747) 81.6. Sonata quinta (adagio-allegro-adagio) 81.7. Praeludium and fugue in c minor from "ariadne musica neo-organoedum" (1702) 81.8. Praeludium and fugue in b minor from "ariadne musica neo-organoedum" (1702) 81.9. Praeludium and fugue in d major from "ariadne musica neo-organoedum" (1702) 81.10. Praeludium and fugue in e-flat major from "ariadne musica neo-organoedum" (1702) 81.11. Toccata sexta aus "IX toccate e fughe" (1747) 81.12. Preambulum sopra "jesu, meine freude" from "klavierubung", part I 81.13. Preambulum sopra "jesu, meine zuversicht" from "klavierubung", part I 81.14. Preambulum sopra "von gott will ich nicht lassen" from "klavierubung", part I 81.15. Fugue in g minor 82.1. Passametzo d''Angleterre 82.2. Introitus and versus secundi toni 82.3. Pavana, galliarda, couranta I, II, III, 1618 82.4. Capricietto sopra il cucu 82.5. Musikalischer blumenstraus 82.6. Fantasia secunda 82.7. Toccata quarta 82.8. Toccata sexta 82.9. 6 arias 83.1. Allegro moderato 83.2. Adagio 83.3. Allegro 83.4. Fugue in g "b-a-c-h" 83.5. Variations in c major, hob. XVII:5 83.6. Fuga in c major 83.7. Fugue in c minor (dedicated to franz schubert) 83.8. No. 2 herzliebster jesu 83.9. No. 3 o welt, ich mus dich lassen 83.10. No. 4 herzlich tut mich erfreuen 83.11. No. 5 schmucke dich, o liebe seele 83.12. No. 7 o gott, du frommer gott 83.13. No. 8 es ist ein ros entsprungen 83.14. No. 11 o welt, ich mus dich lassen 84.1. Canzon francese, detta petit jacquet (1605) 84.2. Toccata quarta, da sonarsi alle levatione (libro II di toccate, 1627) 84.3. Recercar quarto, sopra mi, re, fa, mi (1615) 84.4. Pastorale 84.5. Canto fermo II, del secondo tono (1603) 84.6. Canzona quinta (libro II di toccate, 1627) 84.7. Capriccio sopra la spagnoletta (1624) 84.8. Toccata no. 13 in d minor 84.9. Sonata in c major I, II 84.10. Verso (III) in g minor 84.11. Verso (III) in e minor 84.12. All' elevazione in c major 84.13. Canzona in d minor 84.14. Sonata in d minor I, 10 84.15. Ricercare in g minor VII, 139 85.1. Toccata in c minor 85.2. Sonata no. 2 in g minor: allegro 85.3. Fuga in d minor k. 41 85.4. Verso II in e minor 85.5. All' offertorio in c major 85.6. All' elevazione in f major 85.7. Fugue in c major 85.8. Toccata no. 19 in g major 85.9. Recercar no. 22 in e minor 85.10. Aria sopra la spagnoletta (edit. 1664) 85.11. Capriccio no. 2 in g minor 85.12. Sonata all' offertorio in a major 85.13. Trio in g major 85.14. Praeludium in a-flat major 85.15. Sonata con il violoncello 85.16. Sonata con il tromboncino 85.17. Sonata con il cornetto Critiques et avisSoyez rémunéré pour chaque avis pertinent déposé ! |