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paru le22/09/2014

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Résumé

1.1. Nos autem gloriari oportet in cruce domini (introitus)
1.2. Procedamus in pace! - cum angelis + psalm 24 (23), verses 7-10 (antiphon)
1.3. Ave, rex noster, fili david (antiphon)
1.4. Hoc corpus, quod pro vobis tradetur (communio)
1.5. Ubi est caritas et dilectio (antiphon)
1.6. Congregavit nos in unum - ubi caritas et amor + psalm 133 (132), verse 1 (antiphon)
1.7. Passio domini nostri jesu christi secundum joannem (st. john passion) excerpts: joh. 18, 33, 36-37; 19, 1.5-6.15)
1.8. Ecce lignum crucis (acclamation)
1.9. Popule meus + crucem tuam (improperien)
1.10. Incipit lamentatio jeremiae prophetae (lectio I, feria V)
1.11. Recessit pastor noster (responsorium IV)
1.12. Oratio jeremiae prophetae (lectio IX, sab.s.)
1.13. Kyrie eleison - respice, quaesumus, domine
1.14. Hac die, quam fecit dominus - elogium: christus dominus resurrexit!
1.15. Halleluia + psalm 117 (116), 1-2 + doxologie (10 times alleluia)

2.1. Te decet laus (conclusion of the matins)
2.2. Gloria in excelsis deo (grand doxology - hymn to the angels)
2.3. Aeterne rerum conditor (hymn at lauds on sundays) (excerpt)
2.4. Inventor rutili (hymn for the lighting of the easter fire)
2.5. Mediae noctis tempus est (hymn for the night vigil)
2.6. A solis ortus cardine (hymn for christmas vespers)
2.7. Gloria, laus, et honor (processional hymn for palm sunday)
2.8. Sancti, venite, christi corpus (celtic hymn for holy thursday)
2.9. Congregavit nos in unum christi amor (antiphon for the washing of the feet on holy thursday)
2.10. Pange, lingua (hymn to the holy cross on good friday)
2.11. Hic est dies verus dei (hymn for the easter liturgy of milan)
2.12. Beata nobis gaudia (hymn at lauds for pentecost)
2.13. Ave, maris stella (hymn to mary)
2.14. Ut queant laxis (hymn to st. john the baptist)
2.15. Aurea luce (hymn for vespers at the feasts of saints peter and paul)
2.16. Urbs beata ierusalem (hymn for the dedication of a church)
2.17. O quanta, qualia (hymn for vespers on saturdays)
2.18. Alleluia, dulce carmen (farewell to the alleluia before lent)

3.1. Grates nunc omnes reddamus domino deo (sequence for christmas, midnight mass)
3.2. Laetabundus exsultet fidelis chorus (sequence for christmas, third mass)
3.3. Stans a longe publicanus (antiphon, sequence of the publican - 10th sunday after pentecost)
3.4. Lauda, sion, salvatorem (sequence for corpus christi)
3.5. Victimae paschali laudes (easter sequence)
3.6. Zima vetus expurgetur (easter sequence)
3.7. Summi triumphum regis (sequence for the ascension)
3.8. Omnes gentes, plaudite (sequence for the ascension)
3.9. Veni, sancte spiritus (sequence for pentecost)
3.10. Dies irae, dies illa (sequence from the mass for the dead - requiem)
3.11. Rex caeli, domine maris (musica enchiriadis)
3.12. Mundi aetate octava (sequence for feasts of saints)

4.1. Mos florentis venustatis
4.2. Gaudeat ecclesia (de nativitate domini)
4.3. Nove geniture (de nativitate domini)
4.4. Ecce nomen domini (de nativitate domini)
4.5. Resultet plebs fidelis (de nativitate domini)
4.6. Nunc angelorum gloria
4.7. Dies ista colitur
4.8. Verbum patris humanatur
4.9. In natali summi regis
4.10. Resonet in laudibus (item de nativitate domini)
4.11. Puer nobis nascitur (de nativitate ad benedicamus)
4.12. Dulces laudes tympano (de sancto stephano prothomartyris)
4.13. Ecce iam celebria (in die sanctorum innocentium)
4.14. Ecce novus annus est (ad novum annum)
4.15. Anni novi novitas (cum infulatus et vestitus presul intronisator)
4.16. Nostri festi gaudium (in circumcisione domini)
4.17. Gregis pastor tytirus
4.18. Floricet vox dulcisonans (item de sancta maria)
4.19. Nove lucis hodie (de beata virgine)
4.20. Mater summi domini (de beata virgine)
4.21. Kyrie "magne deus potencie" (in summo festo pentecostis)
4.22. Castis psallamus mentibus
4.23. Iubar miri luminis (in translatione sancti castuli martyris)
4.24. Procedentem sponsum (in nativitate domini ad vesperas benedicamus)
4.25. Surrexit christus hodie (in die resurrectionis)
4.26. Christus vicit resurgendo (in die resurrectionis)
4.27. Ite benedicti et electi

5.1. Kyrie 11
5.2. Gloria 5
5.3. Credo 1
5.4. Sanctus 3 (sanctus - hosanna - benedictus - hosanna) (3-part: vocal + flûte, fiddle, tenor sackbut, tenor fiddle)
5.5. Sanctus papale (sanctus - hosanna - benedictus - hosanna) (2- to 4-part: vocal + flûte, discant bombard, tenor sackbut, tenor fiddle)
5.6. Gloria ad modum tubae (2 sopranos and 2 natural trumpets)
5.7. Lamentatio sanctae matris ecclesiae constantinopolitanae (4-part: vocal+flûte, tenor sackbut, bass viol)
5.8. Ave regina caelorum (3-part: vocal and tenor sackbut)
5.9. Mittit ad virginem (sequence - prosa de beata virgine/petrus abaelard) (3-part)
5.10. Veni creator spiritus (hymnus in pentecostes festo) (3-part: vocal + tenor flûte, alto crumhorn, 2 fiddles)
5.11. Quel fronte signorille (ballata) (3-part: soprano solo + flûte, 2 fiddles, virginal)
5.12. J''atendray tant qu''il vous playra (rondeau) (3-part: soprano solo + flûte, 3 fiddles, virginal)
5.13. Se la face ay pale (ballade)

6.1. Laudiamo jesu
6.2. Virgene benedeta
6.3. O maria diana stella
6.4. O gloriosa vergina maria
6.5. Jesu dulcis memoria (3 parts)
6.6. Jesu dulcis memoria (4 parts)
6.7. Ave mater o maria
6.8. Ave maria, virgo serena
6.9. Ave maria, gratia plena
6.10. Crucifixum in carne
6.11. Tutti debiam cantare
6.12. Amor, jesu, divino
6.13. O signor mio
6.14. Dilecto jesu christo
6.15. Lauda sion salvatorem
6.16. Anima christi, sanctifica me
6.17. Recordare frater pie

7.1. Kyrie. christe. kyrie
7.2. Gloria
7.3. Credo
7.4. Sanctus. benedictus
7.5. Agnus dei
7.6. Tu solus, qui facis mirabilia
7.7. Sanctus de passione
7.8. Miserere mei, deus
7.9. Qui velatus facie fuisti
7.10. Absalon, fili mi
7.11. Planxit autem david
7.12. Inviolata, integra et casta es maria

8.1. Psalm 37 "erzurne dich nicht" / "fret not thyself" (for 7 parts/7-stimmig)
8.2. Octo tonorum melodiae, ton V (5-part instrumental fantasias/5-stimmige instrumental-fantasien)
8.3. Psalm 12 "hilf, herr, die heiligen haben abgenommen" / "help lord, for the faithful fail" (for 6 voices, vocal/6-stimmig, vokal)
8.4. Psalm 13 "herr, wie lange willst du mein so gar vergessen?" / "how long wilt thou forget me, lord? (for 5 voices/5-stimmig)
8.5. Octo tonorum melodiae, ton III (5-part instrumental fantasias/5-stimmige instrumental-fantasien)
8.6. Psalm 86 "herr, neige deine ohren" / "bow down thine ear, o lord" (for 6 voices/6-stimmig)
8.7. Kyrie
8.8. Gloria
8.9. Sanctus
8.10. Agnus dei
8.11. O admirabile commercium - christmas antiphon/weihnachts-antiphon (for 5 voices/5-stimmig, vocal/vokal)
8.12. In gottes namen fahren wir/in god's name we go forth (for 4 parts, instrumental, 4-stimmig, instrumental)
8.13. Konig, ein herr ob alle reiche/king and lord of all (for 4 voices, vocal/4-stimmig, vokal)

9.1. Introdutto (instrumentale)
9.2. Annunziamento: "silenzio! udite!" (coro)
9.3. "ha' tu veduto un mio vitellin bianco" (mopso)
9.4. "caro mio mopso, a pie di questo fonte" (aristeo)
9.5. "aristeo mio, questa amorosa face" (mopso)
9.6. "mopso, tu parli queste cose a' morti" (aristeo)
9.7. Canzona d'aristeo: "udite, selve mie dolce parole" (coro)
9.8. Instrumental frottola [(intromessa) (instrumentale)]
9.9. "e' non e tanto il mormorio piacevole" (mopso)
9.10. "si ho!" (tirsi e coro)
9.11. "rimanti, mopso!0.." (aristeo)
9.12. "o mi convien" (aristeo)
9.13. "o tirsi, che ti par del tuo car sire?" (mopso)
9.14. "non mi fuggir, donzella" (aristeo e coro)
9.15. Intromessa (instrumentale)
9.16. "o meos longum" (orfeo e coro)
9.17. "crudel novella ti rapporto, orfeo" (un pastore)
9.18. Intromessa (instrumentale)
9.19. "dunque piangiamo" (orfeo)

10.1. "pieta, pieta! del misero" (orfeo e coro)
10.2. "chi e costui che con si dolce nota" (plutone)
10.3. "costui vien contro le legge de' fati" (minos)
10.4. Pavana [intromessa (instrumentale)]
10.5. "o regnator di tutte quelle genti" (orfeo e coro)
10.6. "I' non credetti" (prosperina)
10.7. "io te la rendo" (plutone)
10.8. Intrada [intromessa (instrumentale)]
10.9. "ite triumphales" (orfeo)
10.10. "oime, che 'l troppo amore" (euridice)
10.11. "oime! se' mi tu tolta" (orfeo)
10.12. "piu non venire avanti" (una furia)
10.13. "qual sara mai si miserabil canto" (orfeo)
10.14. Quanto e misero l'uom
10.15. "fanne di questo giove intera fede" (orfeo)
10.16. Pavana [intromessa (instrumentale)]
10.17. "ecco quel che l'amor nostro dispreza!" (baccante)
10.18. Intromessa (instrumentale)
10.19. Baccanti: "ognun segua, bacco, te!" (coro)

11.1. Deduc me domine (motet for five voices)
11.2. Sanctus
11.3. Agnus dei
11.4. In via hac, qua ambulabam (five-part vocal/instrumental motet)
11.5. Ein ander teuttscher tantz
11.6. Der mohren aufzugkh
11.7. Mattasin oder toden tantz
11.8. Tantz von gott will ich nicht lassen
11.9. Miserere mei deus (psalm l, five-part composition for voices and instruments)

12.1. Introduttione ai balletti
12.2. L'innamorato
12.3. Il bell'humore
12.4. Il contento
12.5. Speme amorosa
12.6. Lo schernito (instrumental)
12.7. Gloria d'amore
12.8. Il piacere
12.9. L'ardito
12.10. Amor vittorioso
12.11. Il premiato (instrumental)
12.12. La sirena
12.13. La ballezza
12.14. Caccia d'amore
12.15. Il martellato
12.16. L'acceso
12.17. Concerto di pastore a 8

13.1. Anchor che col partire - recorder, 2 descant viols, tenor violin, bass viol
13.2. Anchor ch'io possa dire (instrumental) - recorder, descant viol, tenor and alto sackbuts, tenor violin, 2 bass viols
13.3. Anchor che col partire (tabulatur: andrea gabrieli)
13.4. Anchor che col partire (venice 1577) (instrumental) - descant viol, 2 tenor violins, bass viol
13.5. Anchor che col partire (1597) (vocal)
13.6. Anchor che col partire (1609) - recorder, harpsichord
13.7. Anchor che col partire (1568)
13.8. Missa "anchor che col partire" (1565) kyrie/sanctus-hosanna/benedictus-hosanna/agnus dei - recorder, 2 descant viols, tenor sackbut, bass viol, organ
13.9. O felici occhi miei - recorder, 2 descant viols, tenor violin, bass viol
13.10. O felici occhi miei (1564) (instrumental) - descant viol, 2 bass viols
13.11. Recercada segunda sobre "o felici occhi miei" (1553) - descant viol, harpsichord
13.12. Recercada prima sobre, "o felici occhi miei" (1553) - bass viol, harpsichord
13.13. Il bianco e dolce cigno - 2 recorders, descant viol, bass viol
13.14. Il bianco e dolce cigno (vocal)
13.15. Missa" il bianco e dolce cigno" (1629): I. kyrie - II. agnus dei
13.16. Amor quanto piu lieto - recorder, 2 tenor violins, bass viol
13.17. Se l'ardor foss' equale (vocal)
13.18. Trist' amarilli mia dunqu'e pur vero (vocal)
13.19. La bella donna
13.20. Madonna, per voi ardo - recorder, 2 descant viols, tenor sackbut, bass viol, harpsichord
13.21. Voi ve n'andat' al cielo (1539) - recorder, 2 descant viols, tenor sackbut, bass viol, harpsichord
13.22. Voi mi ponest' in foco - (soprano solo) descant viol, bass viol
13.23. Ver' infern' e'l mio petto (vocal)
13.24. Il ciel che rado virtu tanta mostra - (soprano solo) descant viol, 2 bass viols
13.25. Ahime, ahime, dov' e'l bel viso? - alto sackbut, tenor sackbut, tenor violin, bass viol, harpsichord
13.26. Datemi pace - (soprano solo) descant viol, 2 tenor violins, bass viol
13.27. Non e lasso martire - recorder, descant viol, tenor violin, tenor sackbut, bass viol
13.28. Come la notte ogni fiammella e viva - 2 recorders
13.29. Hor che l'aria

14.1. Lasciatemi morire! (prima parte)
14.2. O teseo, o teseo mio (seconda parte)
14.3. Dove, dov'e la fede? (terzo parte)
14.4. Ahi, che non pur rispondi! (quarta e ultima parte)
14.5. Alcun non mi consigli (libro 9) [a 3 voci: altus, tenor, bassus]
14.6. Non havea febo ancora [a 3 voci: 2 tenors, bassus]
14.7. Amor (lamento della ninfa) [a 4 voci: cantus, 2 tenors, bassus]
14.8. Si tra sdegnosi pianti [a 3 voci: 2 tenors, bassus]
14.9. Bel pastor (libro 9) [a 2 voci: cantus, tenor]
14.10. Ardo e scoprir (libro 8) [a 2 voci: 2 tenors]
14.11. Ohime, ch'io cado, from "quarto scherzo delle ariose...di carlo milanuzzi" (1624) [ per voce solo: altus]
14.12. Eri gia tutta mia, from "scherzi musicali..." (1632) [per voce solo: altus]
14.13. Eccomi pronta ai baci (libro 7) [a 3 voci: 2 tenors, bassus]
14.14. Una donna fra l'altre (libro 6) [a 5 voci: cantus, altus, 2 tenors, bassus]
14.15. Tu dormi (libro 7) [a 4 voci: cantus, 2 tenors, bassus]

15.1. Fantasie IV
15.2. Pavane I
15.3. The right honourable ferdinando, earle of darby, his galliard
15.4. The witches daunce in the queenes maske - almaine
15.5. Coranto III
15.6. Volta VI
15.7. Fantasie VII
15.8. Pavane IV
15.9. The right honourable robert earle of essex, high marshall of england, his galliard
15.10. Sir henry guilforde, his almaine
15.11. Coranto VII
15.12. Volta II
15.13. Sir john langton, his pavin
15.14. The right honourable, the lady cliftons spirit, galliard
15.15. The first of the queenes maskes - almaine
15.16. The last of the queenes maskes - almaine
15.17. Mounsier ballard, his coranto
15.18. Mounsier saman, his coranto
15.19. Fantasie V
15.20. Pavane II
15.21. The most high and mightie christanus, the fourth king of denmarke, his galliard
15.22. Sir john smith, his almaine
15.23. Volta no. 3
15.24. Volta no. 1

16.1. I. pavan
16.2. II. air
16.3. III. air
16.4. IV. air (galliard)
16.5. V. corant
16.6. VI. saraband I
16.7. VII. saraband II
16.8. I. fantasia
16.9. II. air (alman)
16.10. III. air (galliard)
16.11. Cupids, wearie of the court
16.12. O my clarissa, thou cruel faire
16.13. Gather ye rosebuds while ye may
16.14. Beauty in eclipsa (tell me Noé more, her eyes are like)
16.15. Justitia sacrum (whieles I this standing lake)
16.16. When man ffor sinne thy judgment feeles
16.17. I. pavan (on a thème by coprario)
16.18. II. divisions upon the pavan

17.1. Te deum patrem
17.2. Kyrie from missa super "josef, lieber josef mein"
17.3. Cantabo domino
17.4. Laudate dominum (psalm 116)
17.5. Magnificat anima mea dominum, IV. toni
17.6. Hodie christus natus est (motet)
17.7. Veni domine et noli tardare
17.8. Consolamini popule meus (motet)
17.9. Tribus miraculis (hodie antiphon for epiphany)
17.10. Laudate dominum in sanctis (motet from psalm 150)
17.11. Duo seraphim clamabant
17.12. Sanctus from "missa octo vocum"
17.13. Ave regina caelorum (antiphon for virgin mary)
17.14. Magnificat III.toni, canticum b.m.V.
17.15. Regina caeli laetare (antiphon for virgin mary)
17.16. Fit porta christi pervia (hymn)

18.1. Jesu summa benignitas (alto solo, 3 bass viols, choir and basso continuo)
18.2. Ein kleines kindelein ist uns heut'geboren (soprano solo, 3 bass viols, 2 violins, 2 recorders, choir and basso continuo)
18.3. Gegrust seist du, o jesulein (tenor solo, 3 bass viols and basso continuo)
18.4. Magnificat anima mea dominum (2 violins, 3 bass viols, choir and basso continuo)
18.5. Christo cantemus principi (soprano solo, 2 violins, 2 recorders and basso continuo with lute)
18.6. Laudate dominum de coelis (soprano, 2 tenors, 2 violins, choir for 5 voices and basso continuo)
18.7. Sancta maria, ora pro nobis (choir of 4-5 voices, 2 violins, 2 recorders, bassoon and basso continuo)
18.8. Ave maria gratia plena (soprano, 2 violins and basso continuo)
18.9. Surrexit christus hodie (IV) (soprano solo, choir and basso continuo)
18.10. Regina caeli laetare, alleluia (soprano, tenor, violins unisono and basso continuo)
18.11. Surrexit christus hodie (V) (soprano solo, choir and basso continuo with lute)

19.1. Mark how the lark and linnet sing
19.2. So ceas'd the rival crew when purcell came
19.3. We beg not hell, our orpheus to restore
19.4. The heav'nly quire, who heard his notes from high
19.5. Cloe found amintas lying all in tears
19.6. Why weeps asteria?
19.7. Loving above himself (poor celadon)
19.8. Shepherds, deck your crooks
19.9. Ah heav'n! what is't I hear?
19.10. Epilogue: sing, sing ye muses

20.1. I. preludio (vivace)
20.2. II. corrente (allegro)
20.3. III. sarabanda (largo)
20.4. IV. giga (allegro)
20.5. Preludio - largo
20.6. Allemanda - allegro
20.7. Sarabanda - largo
20.8. Giga - allegro
20.9. Preludio - largo
20.10. Giga - allegro
20.11. Adagio
20.12. Tempo di gavotta - allegro
20.13. Preludio - adagio
20.14. Allemanda - allegro
20.15. Sarabanda - largo
20.16. Gavotta - allegro
20.17. Giga - allegro
20.18. Preludio - adagio
20.19. Allegro
20.20. Adagio - vivace
20.21. Gavotta - allegro
20.22. Sonata in g minor, op. 5, no. 12 "la follia"

21.1. Prelude (gracieuesement)
21.2. Allemande (gayement, et les croches egales)
21.3. Sarabande (grave)
21.4. Gavotte
21.5. Musette (dans le gout de carillon: rondeau)
21.6. (gravement et mesure)
21.7. Allemande a 4 temps legers (vivement et les croches egales et marquees)
21.8. Sarabande (mesuree; noblement)
21.9. Air de diable (tres vite)
21.10. Siciliene (tendrement et loure)
21.11. (gravement, et gracieusement)
21.12. Allemande (gayement)
21.13. Sarabande (grave)
21.14. Fuguete (legerement)
21.15. Gavotte (gayement)
21.16. Siciliene (tendrement et loure)
21.17. Le charme (gracieuesement, et gravement)
21.18. L'enjouement (gayement)
21.19. Les graces (courante française)
21.20. Le je-ne-scay-quoy (gayement)
21.21. La vivacite
21.22. La noble fierte (sarabande: gravement)
21.23. La douceur (amoureusement)
21.24. L'et caetera ou menuets

22.1. (gravement et mesure)
22.2. Air tendre et loure, sans lenteur
22.3. Plainte pour les violes (lentement et douloureusement)
22.4. La tromba (legerement)
22.5. (majestueusement, sans trop de lenteur)
22.6. Allemande (fierement, sans lenteur)
22.7. Seconde allemande (plus legere)
22.8. Courante
22.9. Sarabande (tres grave, et tres marquee)
22.10. Gigue (louree)
22.11. Rondeau (legerement et galamment)
22.12. (pointe - coule)
22.13. Badinage
22.14. (lentement et pathetiquement)
22.15. (gracieusement et legerement)
22.16. (gravement)
22.17. Allemande (gayement)
22.18. Sarabande (gravement)
22.19. Fuguete

23.1. Ouverture
23.2. Grande ritournele (gravement)
23.3. Air (noblement)
23.4. Air tendre (rondeau)
23.5. Air leger
23.6. Loure (pesamment)
23.7. Air (anime, et leger)
23.8. Sarabande grave, et tendre
23.9. Air leger
23.10. Air tendre (lentement)
23.11. Air de baccantes (tres anime)
23.12. Vivement
23.13. Air (agreablement)
23.14. Sarabande (tendrement)
23.15. Chaconne (legere)
23.16. Corelli au pied du parnasse prie les muses de le recevoir parmi elles (gravement)
23.17. Corelli charme de la bonne réception qu' on lui fait au parnasse, en marque sa joye. il continue avec ceux qui l'accompagnent (gayement)
23.18. Corelli buvant a la source d'hippocrene. sa troupe continue. notes egales, et coulees, et moderement
23.19. Entouziasme de corelli cause par les eaux d'hippocrene (vivement)
23.20. Corelli après son entouziasme s'endort; et sa troupe joue le sommeil suivat tree doux. notes egales et coulees
23.21. Les muses reveillent corelli, et le placent aupres d'apollon (vivement)
23.22. Remerciement de corelli (gayement)

24.1. I. prelude (gravement)
24.2. II. allemande (legerement)
24.3. III. sarabande (mesure)
24.4. IV. gavotte (notes egales et coulees)
24.5. V. gigue (legerement)
24.6. VI. menuet en trio
24.7. I. prelude (gracieusement)
24.8. II. allemande fuguee (gayement)
24.9. III. air tendre
24.10. IV. air contre-fugue (vivement)
24.11. V. echos (tendrement)
24.12. I. prelude (lentement)
24.13. II. allemande (legerement)
24.14. III. courante
24.15. IV. sarabande (grave)
24.16. V. gavotte
24.17. VI. musette
24.18. VII. chaconne (legere)
24.19. I. prelude (gravement)
24.20. II. allemande (legerement)
24.21. III. courante française (galamment)
24.22. IV. courante a l'italienne (pointe-coule, gayement)
24.23. V. sarabande (tres tendrement)
24.24. VI. rigaudon (legerement et marque)
24.25. VII. forlane rondeau (gayement)

25.1. Lulli aux champs elises: concertant avec les ombres liriques. (gravement)
25.2. Air pour les memes. (gracieusement)
25.3. Vol de mercure aux champs elises pour avertir qu' apollon y va descendre. (tres vite)
25.4. Descente d'apollon, qui vient offrir son violon a lulli, et sa place au parnasse. (noblement)
25.5. Rumeur souterraine: causee par les auteurs-contemporains de lulli. (vite)
25.6. Plaintes des memes: pour des flutes ou des violons tres adoucis. (dolement)
25.7. Enlevement de lulli au parnasse. (tres legerement)
25.8. Accucil entre-doux, et-agard, fait a lulli par corelli, et par les muses italienes. (largo)
25.9. Remerciement de lulli a apollon. (gracieusement)
25.10. Essai en forme d'ouverture: lulli et les muses françaises - corelli et les muses italienes. (legament, sans lenteur)
25.11. Lulli jouant de sujet et corelli l'accompagnant. (au leger)
25.12. Corelli jouant le sujet, a son tour, que lulli accompagne. (second air)
25.13. Gravement
25.14. Saillie (vivement)
25.15. Rondement
25.16. Vivement
25.17. (gravement)
25.18. (gaiement)
25.19. Air (tendrement)
25.20. (gravement)
25.21. Legerement
25.22. (vivement)
25.23. (lentement)
25.24. (vivement)
25.25. Tres lentement
25.26. Legerement
25.27. (air tendre)
25.28. Gaiement
25.29. Gaiement (bruit de guerre)
25.30. Air (lentement)
25.31. Gravement
25.32. Legerement
25.33. Mouvement des fanfares
25.34. Lentement
25.35. Gravement
25.36. Gaiement (lentement)

26.1. "la de belombre" in d minor (from the 3rd book, 1758)
26.2. "les graces" tendrement in d major (from the 3rd book)
26.3. "la damanzy" in d major (from the 1st book, 1744)
26.4. "la forqueray" rondeau (rondeau) in f minor (from the 3rd book)
26.5. "la pothouin" in c minor (from the 4th book, 1768)
26.6. "allemande" in d minor (from the 1st book)
26.7. "courante" in d minor (from the 1st book)
26.8. "menuets" in d major (from the 3rd book)
26.9. "la damanzy" vivement in a major (from the 2nd book, 1748)
26.10. "la felix" noblement in d minor (from the 2nd book)
26.11. "chaconne" in f major (from the 3rd book)

27.1. Nr. 2 "la forqueray" vivement et d'aplomb
27.2. Nr. 3 " la cottin" galamment sans lenteur
27.3. Nr. 5 "la portugaise" marque et d' aplomb
27.4. Nr. 6 "la couperin" noblement et marche
27.5. Nr. 10 "la leclair" tres vivement et detache
27.6. Nr. 12 "la ferrand" detache, et d' une belle execution
27.7. Nr. 13 "la regente"
27.8. Nr. 19 "la marella" vivement et marque
27.9. Nr. 20 " la clement" noblement et detache
27.10. Nr. 26 "la rameau" majestueusement
27.11. Nr. 27 "la guignon" vivement et detache
27.12. Nr. 31 "la sylva" tres tendrement

28.1. Bouree d'achille - menuet
28.2. Allemande "la cascade de st. cloud"
28.3. Sarabande "la guimon"
28.4. Courante "l'indifferente (legerement) - double
28.5. Rondeau "le plaintif" (tendrement)
28.6. Menuet "le mignon" (un peu doucement)
28.7. Gigue "l'italienne"
28.8. Echos, for solo transverse flûte
28.9. Prelude (gravement)
28.10. Courante (legerement)
28.11. Grave
28.12. Gigue (vivement)
28.13. Contredanses "la pharaone" - "la petite janeton"
28.14. Prelude (gravement)
28.15. Fugue (gay)
28.16. Grave (gracieusement)
28.17. (vivement, et croches egales)
28.18. Prelude (lentement-gay-lentement)
28.19. Allemande "la royalle" (gracieusement)
28.20. Rondeau "le duc d'orleans" (gay)
28.21. Sarabande "la d'armagnac"
28.22. Gavotte "la meudon"
28.23. Menuet "le comte de brione"
28.24. Gigue "la folichon"
28.25. Quitte la musette - marche des dragons - air
28.26. Prelude (lentement)
28.27. Allemande "la fontainebleau" (gravement)
28.28. Sarabande "le depart" (douloureusement)
28.29. Air "le fleuri" (gayement)
28.30. Gavotte "la mitilde" (tendrement)
28.31. Branle de vilage "l'auteuil"
28.32. Menuet "le beaulieu"

29.1. Musette de mr. clerambault - menuet "la badaut"
29.2. Prelude (lentement - vivement - lentement)
29.3. Allemande (tendrement)
29.4. Sarabande
29.5. Menuet
29.6. Gavotte (tendrement)
29.7. Rondeau
29.8. Gigue
29.9. Fanfare et les dieux for 3 transverse flutes
29.10. Prelude et la regence - tes beaux yeux ma nicole
29.11. Duo "les heureux moments" (tres tendrement-gay, et croches egales, tres lentement)
29.12. Allemande "la marechalle de villars" (majestueusement, et pique)
29.13. Musette (doucement, et les croches pointees) menuet (d'une legerete gracieuse)
29.14. Gigue (legerement)
29.15. Sarabande "la saint maurice" (lentement)
29.16. Rondeau (gay)
29.17. Prelude (lentement)
29.18. Allemande (gai)
29.19. Courante
29.20. Grave
29.21. Gigue
29.22. Rigaudons
29.23. For recorder
29.24. For transverse flûte
29.25. For oboe
29.26. For soprano viola da gamba
29.27. Brunette "l'autre jour ma cloris (tendrement)
29.28. Air de mr. lambert "goutons un doux repos" (tendrement)

30.1. I. allegro
30.2. II. largo e pianissimo sempre
30.3. III. allegro
30.4. I. allegro non molto
30.5. II. adagio
30.6. III. tempo impetuoso d'estate
30.7. I. allegro
30.8. II. adagio molto
30.9. III. allegro
30.10. I. allegro non molto
30.11. II. largo
30.12. III. allegro
30.13. I. allegro non molto
30.14. II. andante
30.15. III. allegro molto
30.16. I. allegro non molto
30.17. II. larghetto
30.18. III. minuetto

31.1. (allegro)
31.2. Largo
31.3. Presto
31.4. Largo - fantasmi - presto
31.5. Il sonno
31.6. Allegro
31.7. Allegro
31.8. Largo
31.9. Allegro
31.10. Allegro
31.11. Largo
31.12. Allegro
31.13. Allegro non molto
31.14. Largo e cantabile
31.15. Allegro
31.16. (allegro)
31.17. Largo
31.18. Allegro
31.19. Andante e spiccato
31.20. Adagio
31.21. Presto
31.22. Allegro spiritoso
31.23. Adagio
31.24. Allegretto

32.1. Adagio e recitativo: "or che una nube ingrata"
32.2. Aria: "senza il misero" (lento)
32.3. Recitativo: "m'itendi?"
32.4. Aria: "contemplar almen chi s'ama"
32.5. Recitativo: "vicino a un rivoletto"
32.6. Aria: "zeffiretto amorosetto" (adagio - andante)
32.7. Recitativo: "ma, oh ciel!"
32.8. Aria: "aime, sento il mio core" (larghetto)
32.9. Recitativo: "mi palpita il cor"
32.10. Aria: "ho tanti affanni in petto"
32.11. Recitativo: "clori, dite mi lagno"
32.12. Aria: "se un di m'adora la mia crudele"

33.1. Sonata in a minor, k 3
33.2. Sonata in f minor, k 185/184
33.3. Sonata in b minor, k 227
33.4. Sonata in f minor, k 238/239
33.5. Sonata in d minor, k 52
33.6. Sonata in e-flat major, k 192/193
33.7. Sonata in a major, k 208/209
33.8. Sonata in e-flat major, k 252/253
33.9. Sonata in d minor, k 191

34.1. Fantasia in c major
34.2. Fantasia in a minor
34.3. I. prelude
34.4. II. fugue
34.5. III. allegro
34.6. I. prelude
34.7. II. allemande
34.8. III. courante
34.9. IV. sarabande
34.10. V. gavotte I - gavotte II (gavotte en rondeau)
34.11. VI. gigue
34.12. I. prelude
34.13. II. allemande
34.14. III. courante
34.15. IV. menuet
34.16. V. gigue
34.17. Tombeau sur la mort de m. comte de logy

35.1. Prelude
35.2. Paduana
35.3. Courante "suedoise"
35.4. Tombeau de mr. blanrocher
35.5. Sarabande
35.6. Gigue
35.7. Prelude
35.8. Pavane "tombeau de la reyne"
35.9. Courante "la marquise"
35.10. Sarabande "la mignarde"
35.11. Canarie "les castagnettes"
35.12. Praeludium
35.13. Allemande
35.14. Pavane
35.15. Courante
35.16. Sarabande
35.17. Gavotte
35.18. Gigue
35.19. Prelude
35.20. Allemande
35.21. Courante
35.22. Rondeau
35.23. Gigue

36.1. I. adagio
36.2. II. vivace
36.3. III. cortesemente
36.4. IV. vivace
36.5. I. grave
36.6. II. vivace
36.7. III. cunando
36.8. IV. vivace
36.9. I. largo
36.10. II. allegro
36.11. III. dolce
36.12. IV. vivace
36.13. V. allegro
36.14. I. andante
36.15. II. allegro
36.16. III. tempo giusto
36.17. IV. vivace
36.18. V. allegro
36.19. I. cantabile
36.20. II. vivace
36.21. III. mesto
36.22. IV. spirituoso
36.23. I. allegro
36.24. II. adagio
36.25. III. allegro assai
36.26. IV. ondeggiando, ma non adagio
36.27. V. allegro

37.1. I. andante
37.2. II. allegro
37.3. III. adagio
37.4. IV. gratioso e semplicemente
37.5. V. presto
37.6. I. siciliana
37.7. II. allegro
37.8. III. dolce, ma non adagio
37.9. IV. grave - vivace
37.10. V. presto
37.11. I. andante
37.12. II. allegro
37.13. III. presto
37.14. IV. dolce
37.15. V. vivace
37.16. I. largo
37.17. II. allegro
37.18. III. ondeggiando
37.19. IV. allegro
37.20. I. andante
37.21. II. presto
37.22. III. con tenerezza
37.23. IV. allegro
37.24. I. adagio
37.25. II. vivace
37.26. III. grave
37.27. IV. allegro

38.1. Vivace
38.2. Mesto
38.3. Allegro
38.4. Largo
38.5. Allegro
38.6. Affettuoso
38.7. Presto
38.8. Dolce
38.9. Vivace
38.10. Sicilliana
38.11. Vivace
38.12. Grave
38.13. Vivace
38.14. Andante
38.15. Xantippe
38.16. Lucretia. largo
38.17. Corinna
38.18. Clelia. spiritoso
38.19. Dido. triste, disperato
38.20. Largo
38.21. Allegro
38.22. Largo
38.23. Vivace

39.1. Andante
39.2. Vivace
39.3. Adagio
39.4. Allegro
39.5. Vivace
39.6. Largo
39.7. Vivace
39.8. Affettuoso
39.9. Vivace
39.10. Grave
39.11. Menuet - trio - menuet
39.12. Largo
39.13. Vivace
39.14. Andante
39.15. Allegro
39.16. Soave
39.17. Presto
39.18. Andante
39.19. Scherzando

40.1. I. larghetto
40.2. II. allegro
40.3. III. larghetto
40.4. IV. a tempo di gavotta
40.5. V. allegro
40.6. I. adagio
40.7. II. allegro
40.8. III. adagio
40.9. IV. allegro
40.10. I. largo
40.11. II. allegro
40.12. III. adagio
40.13. IV. bourree anglaise. allegro
40.14. I. larghetto
40.15. II. allegro
40.16. III. adagio
40.17. IV. allegro
40.18. I. adagio
40.19. II. allegro
40.20. III. adagio
40.21. IV. bourree
40.22. V. menuet
40.23. I. grave
40.24. II. allegro
40.25. III. adagio
40.26. IV. allegro
40.27. I. larghetto
40.28. II. andante
40.29. III. adagio
40.30. IV. presto

41.1. I. adagio
41.2. II. allegro
41.3. III. largo
41.4. IV. allegro
41.5. I. largo
41.6. II. vivace
41.7. III. furioso
41.8. IV. adagio
41.9. V. alla breve
41.10. I. allegro
41.11. II. adagio
41.12. III. allegro
41.13. I. allegro
41.14. II. grave
41.15. III. allegro
41.16. I. larghetto. grave
41.17. II. allegro
41.18. III. alla siciliana
41.19. IV. allegro
41.20. IV. minuet
41.21. VI. andante
41.22. VII. a tempo di menuet
41.23. Andante in d minor for recorder and basso continuo, hwv 409
41.24. II. allegro

42.1. 1. aria: "ich will den kreuzstab gerne tragen"
42.2. 2. recitativo: "mein wandel auf der welt ist einer schiffahrt gleich"
42.3. 3. aria: "endlich, endlich wird mein joch"
42.4. 4. recitativo: "ich stehe fertig und bereit"
42.5. 5. choral: "komm, o tod, du schlafes bruder"
42.6. 1. aria: "ich habe genug"
42.7. 2. recitativo: "ich habe genug! mein trost ist nur allein"
42.8. 3. aria: "schlummert ein, ihr matten augen"
42.9. 4. recitativo: "mein gott! wann kommt das schone nun!"
42.10. 5. aria: "ich freue mich auf meinen tod"

43.1. Prelude
43.2. Fugue
43.3. Variation I: in canone all'ottava
43.4. Variation II: alio modo in canone alla quinta
43.5. Variation III: in canone alla settima
43.6. Variation IV: in canone all'ottava per augmentationem
43.7. Variation V: l'altra sorte del canone al rovescio
43.8. Fuga sopra il magnificat, bwv 733
43.9. Allein gott in der hoh'sei ehr', bwv 663 (from 18 chorales)
43.10. Jesus christus, unser heiland, bwv 665 (from 18 chorales)
43.11. Jesus christus, unser heiland, bwv 666 (from 18 chorales)
43.12. Vor deinen thron tret'ich, bwv 668 (from 18 chorales)
43.13. Prelude
43.14. Fugue

44.1. Toccata
44.2. Fugue
44.3. O lamm gottes unschuldig, bwv 618 (from the orgel-buchlein)
44.4. Partita I
44.5. Partita II
44.6. Partita III
44.7. Partita IV
44.8. Partita V
44.9. Partita VI
44.10. Partita VII
44.11. Prelude
44.12. Fugue
44.13. Wir christenleut', bwv 710 (from chorale preludes)
44.14. Valet will ich dir geben, bwv 736 (from chorale preludes)
44.15. Partita I
44.16. Partita II
44.17. Partita III
44.18. Partita IV
44.19. Partita V
44.20. Partita VI
44.21. Partita VII
44.22. Partita VIII
44.23. Partita IX
44.24. Fantasia in c minor, bwv 562
44.25. Fantasia in g major, bwv 572

45.1. Invention no. 1 in c major, bwv 772
45.2. Invention no. 2 in c minor, bwv 773
45.3. Invention no. 3 in d major, bwv 774
45.4. Invention no. 4 in d minor
45.5. Invention no. 5 in e-flat major, bwv 776
45.6. Invention no. 6 in e major, bwv 777
45.7. Invention no. 7 in e minor, bwv 778
45.8. Invention no. 8 in f major, bwv 779
45.9. Invention no. 9 in f minor, bwv 780
45.10. Invention no. 10 in g major, bwv 781
45.11. Invention no. 11 in g minor, bwv 782
45.12. Invention no. 12 in a major, bwv 783
45.13. Invention no. 13 in a minor, bwv 784
45.14. Invention no. 14 in b-flat major, bwv 785
45.15. Invention no. 15 in b minor, bwv 786
45.16. Sinfonia no. 1 in c major, bwv 787
45.17. Sinfonia no. 2 in c minor, bwv 788
45.18. Sinfonia no. 3 in d major, bwv 789
45.19. Sinfonia no. 4 in d minor, bwv 790
45.20. Sinfonia no. 5 in e-flat major, bwv 791
45.21. Sinfonia no. 6 in e major, bwv 792
45.22. Sinfonia no. 7 in e minor, bwv 793
45.23. Sinfonia no. 8 in f major, bwv 794
45.24. Sinfonia no. 9 in f minor, bwv 795
45.25. Sinfonia no. 10 in g major, bwv 796
45.26. Sinfonia no. 11 in g minor, bwv 797
45.27. Sinfonia no. 12 in a major, bwv 798
45.28. Sinfonia no. 13 in a minor, bwv 799
45.29. Sinfonia no. 14 in b-flat major, bwv 800
45.30. Sinfonia no. 15 in b minor, bwv 801

46.1. I. prelude
46.2. II. allemande
46.3. III. courante I - courante II. avec deux doubles - double I - double II
46.4. IV. sarabande
46.5. V. bourree I - bourree II
46.6. VI. gigue
46.7. I. prelude
46.8. II. allemande
46.9. III. courante
46.10. IV. sarabande
46.11. V. bourree I - bourree II
46.12. VI. gigue
46.13. I. prelude
46.14. II. allemande
46.15. III. courante
46.16. IV. sarabande
46.17. V. gavotte I - gavotte II (ou la musette)
46.18. VI. gigue

47.1. I. prelude
47.2. II. allemande
47.3. III. courante
47.4. IV. sarabande
47.5. V. menuet I - menuet II
47.6. VI. gigue
47.7. I. prelude
47.8. II. allemande
47.9. III. courante
47.10. IV. sarabande
47.11. V. passepied I (en rondeau) - passepied II
47.12. VI. gigue
47.13. I. prelude - allegro
47.14. II. allemande
47.15. III. courante
47.16. IV. sarabande - double
47.17. V. gavotte I - gavotte II
47.18. VI. gigue

48.1. I. allemande
48.2. II. courante
48.3. III. sarabande
48.4. IV. menuet I & II
48.5. V. gigue
48.6. I. allemande
48.7. II. courante
48.8. III. sarabande
48.9. IV. air
48.10. V. menuet
48.11. VI. gigue
48.12. I. allemande
48.13. II. courante
48.14. III. sarabande
48.15. IV. anglaise
48.16. V. menuet
48.17. VI. gigue
48.18. I. allemande
48.19. II. courante
48.20. III. sarabande
48.21. IV. gavotte
48.22. V. air
48.23. VI. gigue
48.24. I. allemande
48.25. II. courante
48.26. III. sarabande
48.27. IV. gavotte
48.28. V. bouree
48.29. VI. loure
48.30. VII. gigue
48.31. I. allemande
48.32. II. courante
48.33. III. sarabande
48.34. IV. gavotte
48.35. V. polonaise
48.36. VI. menuet
48.37. VII. bouree
48.38. VIII. gigue

49.1. I. [ ]
49.2. II. andante
49.3. III. presto
49.4. I. [presto]
49.5. II. allegro
49.6. III. adagio
49.7. IV. fuga
49.8. I. [ ]
49.9. II. [presto]
49.10. III. adagio
49.11. IV. allegro
49.12. Fugue in a minor, bwv 944
49.13. Fantasia in c minor, bwv 906

50.1. I. prilude
50.2. II. allemande
50.3. III. courante
50.4. IV. sarabande
50.5. V. bourrie I & II
50.6. VI. gigue
50.7. I. prilude
50.8. II. allemande
50.9. III. courante
50.10. IV. sarabande
50.11. V. gavotte I & II
50.12. VI. gigue
50.13. Fantasie
50.14. Fugue

51.1. I. prelude
51.2. Allemande
51.3. Courante
51.4. Sarabande
51.5. Menuett I & II
51.6. Gigue
51.7. Prelude
51.8. Allemande
51.9. Courante
51.10. Sarabande
51.11. Menuett I & II
51.12. Gigue
51.13. Prelude
51.14. Allemande
51.15. Courante
51.16. Sarabande
51.17. Bourree I & II
51.18. Gigue

52.1. Prelude
52.2. Allemande
52.3. Courante
52.4. Sarabande
52.5. Bourree I & II
52.6. Gigue
52.7. Prelude
52.8. Allemande
52.9. Courante
52.10. Sarabande
52.11. Gavotte I & II
52.12. Gigue
52.13. Prelude
52.14. Allemande
52.15. Courante
52.16. Sarabande
52.17. Gavotte I & II
52.18. Gigue

53.1. I. andante
53.2. II. largo e dolce
53.3. III. presto
53.4. I. adagio ma non tanto
53.5. II. allegro
53.6. III. siciliano
53.7. IV. allegro assai
53.8. I. vivace*
53.9. II. largo e dolce
53.10. III. allegro

54.1. I. adagio ma non tanto
54.2. II. allegro
54.3. III. andante
54.4. IV. allegro
54.5. I. allemande
54.6. II. corrente
54.7. III. sarabande
54.8. IV. bourree anglaise
54.9. I. allemande (in g minor) for viola
54.10. II. allemande (in g minor) for harpsichord*
54.11. III. corrente (in g minor) for violoncello piccolo
54.12. IV. sarabande (in c minor) for recorder
54.13. V. bourree anglaise (in g minor) for violin
54.14. Concerto in d minor (excerpt) - after the first movement of the flûte sonata in b minor bwv 1030 (arranged by frans bruggen)

55.1. I. [ ]
55.2. II. adagio
55.3. III. allegro
55.4. IV. menuetto - trio polonaise - menuetto - trio
55.5. I. [ ]
55.6. II. andante
55.7. III. allegro assai
55.8. I. [ ]
55.9. II. adagio
55.10. III. allegro

56.1. I. allegro
56.2. II. andante
56.3. III. presto
56.4. I. allegro
56.5. II. affetuoso
56.6. III. allegro
56.7. I. [ ]
56.8. II. adagio, ma non tanto
56.9. III. allegro

57.1. Ricercar a 3 voci (harpsichord)
57.2. Canon perpetuus (flûte, violin, continuo)
57.3. Canon a 2 (harpsichord)
57.4. Canon a 2 (two violins, continuo)
57.5. Canon a 2, per motum contrarium (transverse flûte, harpsichord)
57.6. Canon a 2, per augmentationem, contrario motu (two violins, bass viol)
57.7. Canon a 2, per tonos (violin, harpsichord)
57.8. Fuga canonica (violin, harpsichord)
57.9. Ricercar a 6 (harpsichord)
57.10. Canon a 2, quaerendo invenietis, (harpsichord)
57.11. Canon a 4 (two harpsichords)
57.12. I. largo
57.13. II. allegro
57.14. III. andante
57.15. IV. allegro
57.16. Canon perpetuus, contrario motu (transverse flûte, violin, continuo)

58.1. I. allegro
58.2. II. adagio
58.3. III. allegro
58.4. I. allegro
58.5. II. poco andante
58.6. III. allegro assai

59.1. March in d major from "klavierbuchlein for anna magdalena bach"
59.2. Polonaise in g minor from "klavierbuchlein for anna magdalena bach"
59.3. March in g major from "klavierbuchlein for anna magdalena bach"
59.4. Polonaise in g minor from "klavierbuchlein for anna magdalena bach"
59.5. Poco allegro
59.6. Adagio
59.7. Presto
59.8. Moderato
59.9. Adagio non molto
59.10. Allegro
59.11. Rondo in b-flat major, h.274 (w.58, no. 3)
59.12. Rondo in c minor, h.268 (w.59, no. 2)

60.1. Rondo in g major, h.281 (w.59, no. 1)
60.2. Fantasia in b-flat major, h.289 (w.61, no. 3)
60.3. Rondo in e-flat major, h.288 (w.61, no. 1)
60.4. Allegro di molto
60.5. Allegretto
60.6. Presto di molto
60.7. Abschied von meinem silbermannischen claviere, in einem rondo, h.272 (w.66)
60.8. Freie fantasie furs clavier in f-sharp minor. h.300 (w.67)

61.1. I. moderato
61.2. II. adagio
61.3. III. menuetto. allegretto
61.4. IV. fuga a 4 soggetiti - allegro
61.5. I. allegro di molto
61.6. II. un poco adagio affettuoso
61.7. III. menuetto - allegretto alla zingarese
61.8. IV. presto scherzando

62.1. I. andante moderato
62.2. II. minuetto
62.3. III. cantabile
62.4. IV. finale. allegro
62.5. I. allegro vivo
62.6. II. largo assai
62.7. III. minuetto
62.8. IV. fuga. allegro giusto
62.9. I. adagio
62.10. II. allegro vivo
62.11. III. andante: lantarello
62.12. I. allegro moderato
62.13. II. minuetto
62.14. III. largo. cantabile
62.15. IV. presto. il ballo tedesco

63.1. I. allegro moderato
63.2. II. minuetto
63.3. III. andante. lento
63.4. IV. finale. allegro vivo
63.5. I. allegro moderato assai
63.6. II. minuetto
63.7. III. preludio. adagio
63.8. IV. rondo. allegro giusto
63.9. I. allegro
63.10. II. largo assai
63.11. III. allegro moderato
63.12. I. allegro moderato
63.13. II. adagio
63.14. III. affettuoso
63.15. I. allegro
63.16. II. largo assai
63.17. III. rondo - allegro

64.1. Andante for flûte and accompaniment in c major, k. 315 (285e)
64.2. I. allegro
64.3. II. andantino
64.4. III. rondeau. allegro

65.1. Allegretto grazioso
65.2. I. allegro maestoso
65.3. II. adagio ma non troppo
65.4. III. rondeau. tempo di minuetto
65.5. I. allegro aperto
65.6. II. andante ma non troppo
65.7. III. allegro

66.1. I. allegro spiritoso
66.2. II. andante
66.3. III. menuetto
66.4. IV. contredanse en rondeau. molto allegro
66.5. I. adagio-allegro
66.6. II. menuetto
66.7. III. adagio
66.8. IV. finale. presto
66.9. I. allegro molto
66.10. II. andantino
66.11. III. menuetto. moderato
66.12. IV. presto
66.13. I. thema mit variationen
66.14. II. menuetto
66.15. III. allegro assai

67.1. I. allegro maestoso
67.2. II. menuetto I
67.3. III. adagio
67.4. IV. menuetto II
67.5. V. allegro
67.6. I. allegro
67.7. II. andante
67.8. III. menuetto in canone
67.9. IV. allegro

68.1. I. allegro moderato
68.2. II. adagio
68.3. III. presto
68.4. I. allegro moderato
68.5. II. andante
68.6. III. rondeau. allegro

69.1. Adagio in d major
69.2. [andante] in b-flat major
69.3. Menuetto in f major
69.4. [allegro] in b-flat major
69.5. Andante in f major
69.6. Allegro in f major
69.7. Andante moderato in a major
69.8. Menuetto in d major
69.9. Allegro in a major
69.10. Rondo in b-flat major k. 269 (261a) for violin and accompaniment: rondeaux - allegro

70.1. I. allegro con spirito
70.2. II. andante cantabile
70.3. III. allegretto
70.4. I. molto allegro
70.5. II. adagio, poco andante
70.6. III. rondo. allegro
70.7. I. allegro con spirito
70.8. II. allegro

71.1. I. allegro
71.2. II. andante grazioso
71.3. III. menuetto I & II
71.4. Thema. andantino & variations I-VI
71.5. I. largo - allegro
71.6. II. andante
71.7. III. allegretto

72.1. I. adagio
72.2. II. menuetto. moderato
72.3. III. rondo. allegro assai
72.4. I. allegro
72.5. II. tempo di minuetto
72.6. I. molto allegro
72.7. II. adagio
72.8. III. thema. allegretto (in 6 variations)

73.1. Allegro
73.2. Andante cantabile
73.3. Allegretto grazioso
73.4. Kleiner trauermarsch for piano, k.453a
73.5. Adagio
73.6. Menuetto I/II
73.7. Allegro
73.8. Menuett in d major, k.355/576b

74.1. Allegro moderato
74.2. Andante cantabile
74.3. Allegretto
74.4. Adagio in b minor for piano, k.540
74.5. Allegro
74.6. Adagio
74.7. Allegretto

75.1. The soothing shades of gloaming
75.2. The troubador
75.3. O poortith cauld
75.4. Truehearted was he
75.5. Yes, thou may'st walk in silk attire
75.6. Contented wi'little, and canty wi' mair
75.7. John anderson, my jo'
75.8. Oh my love's like the red, red rose
75.9. Robin is my joy, my dear
75.10. Whar' hae ye been a'day my tammy?
75.11. I. allegro moderato
75.12. II. scherzo, allegro vivace
75.13. III. schafers klage, andante espressivo
75.14. IV. finale, allegro
75.15. I. allegro con fuoco
75.16. II. largo
75.17. III. polacca
75.18. Momento capriccioso in b-flat major, op., 12 for piano
75.19. Adagio in e-flat major and rondo in b-flat major for 2 clarinets, 2 horns and 2 bassoons

76.1. Klage, op. 15, no. 2
76.2. Was zieht zu deinem zauberkreise, op. 15, no. 4
76.3. Der kleine fritz an seine jungen freunde, op. 15, no. 3
76.4. Meine farben, op. 23, no. 1
76.5. Sonett, op. 23, no. 4
76.6. Liebe - gluhen from "funf deutsche lieder," op. 25, no. 1
76.7. Uber die berge mit ungestum from "funf deutsche lieder," op. 25, no. 2
76.8. Las mich schlummern from "funf deutsche lieder," op. 25, no. 3
76.9. Bettlerlied from "funf deutsche lieder," op. 25, no. 4
76.10. Ah, dove siete - canzonetta, op. 29, no. 1
76.11. Ninfe, se liete
76.12. Du moins alors je la voyais - romanze
76.13. Reigen, op. 30, no. 5
76.14. Sind es schmerzen, sind es freuden, op. 30, no. 6
76.15. Die gefangenen sanger, op. 47, no. 1
76.16. Die freien sanger, op. 47, no. 2
76.17. Ein konig einst gefangen sas - romanze
76.18. Ballade, op. 47, no. 3
76.19. Mein verlangen, op. 47, no. 6
76.20. Quodlibet, op. 54, no. 2
76.21. Alte weiber, op. 54, no. 4
76.22. Wenn ich ein voglein war', op. 54, no. 6
76.23. Weine, weine nur nicht, op. 54, no. 7
76.24. Mailied, op. 64, no. 2
76.25. Heimlicher liebe pein, op. 64, no. 3
76.26. Gelahrtheit, op. 64, no. 4
76.27. Elfenlied, op. 80, no. 3
76.28. An danzi

77.1. Praeludium und fuge, g minor (h 25)
77.2. Magnificat 2. toni (4 verse)
77.3. Christe, du lamm gottes, bwv 619 (in canone alla duodecima)
77.4. Allein gott in der hoh' sei ehr', bwv 711
77.5. Christus, der uns selig macht, bwv 620 (in canone all' ottava)
77.6. Praeludium nr. 9
77.7. Ich ruf' zu dir, herr jesu christ (4 variationen)
77.8. In dich hab' ich gehoffet, herr (nr. 26)
77.9. Ciacona (1690)
77.10. Passacaglia (aus "urania," 1738)

78.1. Praludium un fuge in a minor, h. no. 4
78.2. Magnificat primi modi
78.3. Auf meinen lieben gott
78.4. Christum wir sollen loben schon
78.5. Toccata in g major, h. no. 27
78.6. Allein gott in der hoh' sei ehr'
78.7. Ach, wie nichtig, ach, wie fluchtig

79.1. Gaillarde in f from "quatorze gaillardes"
79.2. Carmen from "tabulaturbuch, krakau, 1548"
79.3. Ach reine zart from the "glogauer liederbuch" ca. 1470
79.4. Pavan no. 26 from the "dublin virginalbook" ca. 1570
79.5. Ex more docti from the "mullinerbook"
79.6. In dulci jubilo from "orgeltabulaturbuch" 1503-1531
79.7. Resonet in laudibus
79.8. Passamezzo-galliard no. 2 from the "dublin virginalbook" ca. 1570
79.9. Praeambulum in g (lunenurg kn 207/15)
79.10. Paduana in f
79.11. Galliarda in d
79.12. Praeambulum no. 4
79.13. Variationen uber "herr christ, der einig' gottessohn" no. 12
79.14. Toccata in g no. 21
79.15. Variationen uber "christ lag in todesbanden" no. 3
79.16. Praeambulum no. 5

80.1. Pavan (from the mulliner book, c.1560)
80.2. "wer das tochterlein haben will" from orgel oder instrument tabulaturbuch (1571)
80.3. Pavan and galliard (from the dublin virginal book, c.1570)
80.4. Eterne rerum (conditur from the mulliner book, no. 51)
80.5. Pavan and galliard (from the dublin virginal book, no. 21)
80.6. Gagliarda "cathaccio" (intabolatura nova di balli, venedig, 1551)
80.7. Gagliarda "lodesana" (intabolatura nova di balli, venedig, 1551)
80.8. Toccata and fugue in b-flat major
80.9. Chorale "alle menschen mussen sterben"
80.10. Toccata con durezza e ligature
80.11. Magnificat-fugue no. 5 in f major
80.12. Un cromatico ovvero capricio (primo tuono per le semetoni)
80.13. Canzone francese (no. 7)
80.14. Ricercare (no. 4)
80.15. Magnificat-fugue no. 10 (sextitoni)
80.16. Magnificat-fugue no. 4 (septimi toni)
80.17. Magnificat-fugue no. 13 (octavi toni)
80.18. Praeludium and fugue in g major

81.1. Ballo della battaglia from "selva" (1664)
81.2. Canzona in g minor
81.3. Ricercar no. 1
81.4. Capriccio no. 8
81.5. Toccata e fuga tertia from "IX toccate e fughe" (1747)
81.6. Sonata quinta (adagio-allegro-adagio)
81.7. Praeludium and fugue in c minor from "ariadne musica neo-organoedum" (1702)
81.8. Praeludium and fugue in b minor from "ariadne musica neo-organoedum" (1702)
81.9. Praeludium and fugue in d major from "ariadne musica neo-organoedum" (1702)
81.10. Praeludium and fugue in e-flat major from "ariadne musica neo-organoedum" (1702)
81.11. Toccata sexta aus "IX toccate e fughe" (1747)
81.12. Preambulum sopra "jesu, meine freude" from "klavierubung", part I
81.13. Preambulum sopra "jesu, meine zuversicht" from "klavierubung", part I
81.14. Preambulum sopra "von gott will ich nicht lassen" from "klavierubung", part I
81.15. Fugue in g minor

82.1. Passametzo d''Angleterre
82.2. Introitus and versus secundi toni
82.3. Pavana, galliarda, couranta I, II, III, 1618
82.4. Capricietto sopra il cucu
82.5. Musikalischer blumenstraus
82.6. Fantasia secunda
82.7. Toccata quarta
82.8. Toccata sexta
82.9. 6 arias

83.1. Allegro moderato
83.2. Adagio
83.3. Allegro
83.4. Fugue in g "b-a-c-h"
83.5. Variations in c major, hob. XVII:5
83.6. Fuga in c major
83.7. Fugue in c minor (dedicated to franz schubert)
83.8. No. 2 herzliebster jesu
83.9. No. 3 o welt, ich mus dich lassen
83.10. No. 4 herzlich tut mich erfreuen
83.11. No. 5 schmucke dich, o liebe seele
83.12. No. 7 o gott, du frommer gott
83.13. No. 8 es ist ein ros entsprungen
83.14. No. 11 o welt, ich mus dich lassen

84.1. Canzon francese, detta petit jacquet (1605)
84.2. Toccata quarta, da sonarsi alle levatione (libro II di toccate, 1627)
84.3. Recercar quarto, sopra mi, re, fa, mi (1615)
84.4. Pastorale
84.5. Canto fermo II, del secondo tono (1603)
84.6. Canzona quinta (libro II di toccate, 1627)
84.7. Capriccio sopra la spagnoletta (1624)
84.8. Toccata no. 13 in d minor
84.9. Sonata in c major I, II
84.10. Verso (III) in g minor
84.11. Verso (III) in e minor
84.12. All' elevazione in c major
84.13. Canzona in d minor
84.14. Sonata in d minor I, 10
84.15. Ricercare in g minor VII, 139

85.1. Toccata in c minor
85.2. Sonata no. 2 in g minor: allegro
85.3. Fuga in d minor k. 41
85.4. Verso II in e minor
85.5. All' offertorio in c major
85.6. All' elevazione in f major
85.7. Fugue in c major
85.8. Toccata no. 19 in g major
85.9. Recercar no. 22 in e minor
85.10. Aria sopra la spagnoletta (edit. 1664)
85.11. Capriccio no. 2 in g minor
85.12. Sonata all' offertorio in a major
85.13. Trio in g major
85.14. Praeludium in a-flat major
85.15. Sonata con il violoncello
85.16. Sonata con il tromboncino
85.17. Sonata con il cornetto

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